Graham's Magazine, Vol. XXXV, No. 3, September 1849Various
General
Graham's Magazine, Vol. XXXV, No. 3, September 1849
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The reception of the colonel was now also gone through, and he rode in
very stiff dignity, with his legs sticking out on each side of his
steed, very much like a pair of open compasses, toward the line, with
his peacock tail of a staff trailing behind him. Taking, then, his
station, with his horse (tickled constantly by the spur) making uneasy
motions, as if itching all over, he gave utterance to a few shouts, made
hoarse for the occasion, which were followed by convulsions of carrying,
presenting, and supporting arms, on the part of the soldiers, some
together, and some not, just as it happened. Preparations were then made
for the march to the village-green, where the exercises of the day were
to take place. The music was all collected in front, and the order was
given to wheel into platoons. Each man performed this manœuvre at his
own time and “on his own responsibility,” and consequently such a
fluttering took place as to throw the whole scene into confusion. The
feat was, however, at last performed, the drums began to mark time—the
men ditto, (after a fashion,) and the order from the colonel was, “by
platoons, march!” the last word uttered with most tremendous emphasis.
The order was taken up and sent along from company to company in every
variety of tone, from a growl to a squeak, ending at last like a faint
echo at the extremity of the array. The whole regiment then moved, the
drums still keeping up their preliminary tapping. At length the music
burst out into a terrific explosion of sound, and onward marched the
martial pageant. The sight was ludicrous enough. Some had started with
the right foot foremost, and were entangling their legs in the most
unjustifiable way, with those of their neighbors, endeavoring to change
to the left foot; some, owing to the extreme tightness of their belts,
(these were principally in the uniform companies,) hitched along as if
their hips went on rusty hinges, and others, owing either to the want of
a musical ear, or recklessness, sauntered along in their natural gait,
which didn’t happen to suit the air, and consequently carried disorder
along the whole rank. In the former class was a little irascible-looking
fellow, who, starting the wrong way and endeavoring to get right, and
who being met in his efforts at precisely the wrong times by a lank
genius next him, kept hopping testily from one foot to the other, whilst
his companion did the same at alternate moments, until the legs of both
went backward and forward like a quick cat’s-cradle. On swept the array,
the colonel looking sterner than forty Napoleons on a field of battle.
Conspicuous in the front rank of “the music” was Joe Lippett, chinning
his fife, whilst amidst a row of drums came my friend with the red
feather, working his mouth in the most emphatic manner, and looking down
upon his instrument as if he thought that the withdrawal of his eyes
would cause an instant paralysis of his sticks.
Public-domain text, read in full here on John Shaqi.
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