Graham's Magazine, Vol. XXXV, No. 3, September 1849Various
General
Graham's Magazine, Vol. XXXV, No. 3, September 1849
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
My attention was now, however, attracted toward the genius with the
rifle, by his giving birth to a loud shout. Inflamed beyond bounds by
the music which was now on a rattling quick-step, the red flanneled
gentleman now made a spring in the air, and then dashed out into a “heel
and toe” dance, flourishing his rifle as if it had been a walking-stick,
now over his head, and now on each side of him, and making every thing
fairly echo with his loud and frequent whoops. He at length became the
lodestone of all eyes, except those of the musicians, fairly driving
these worthies in the most ungrateful manner (they being the source of
his inspiration) into the shade; becoming, as it were, the centre of a
circle of grinning faces, until completely tired out with his exertions,
he broke away, ascended the tavern stoop, and the next moment made the
bar-room ring with his vociferation for “a small pull of some of the
real grit!”
By and by the “trainers” began to appear at all points, some in groups,
some singly, some by wagon loads. And one wagon came in so filled with
bristling muskets, that it had the appearance of a huge steel porcupine.
The population of the surrounding country, men, women and children,
commenced streaming in to gaze upon “the show,” and make merry amongst
themselves. A number also of the surrounding farmers and their wives
came as venders of pies, cake, small beer, cider, etc., turning their
wagons into shops, wheeling them under the shadows of the trees,
detaching the horses, flinging at the same time quantities of hay before
them, and covering the seats of the wagons with cards of yellow
gingerbread, mingled with pies, carved generally into quarters, and
cider barrels at the ends, with faucets resembling hooked noses. Others
again had erected booths of rough boards or hemlock boughs filled with
articles of consumption. I looked at one for a few moments which Aunt
Betsy Lossing had (as usual) erected.
It was composed of hemlock boards, with branches of the same tree. A
rude counter had been placed athwart the entrance, behind which appeared
Betsy’s red face and burly form, together with a boy and girl as
assistants. Upon shelves were rows of casks lettered gin, brandy,
whisky, etc.; on the highest shelf were two or three boxes of cigars, a
dozen thick glass tumblers, and a small box of lemons, whilst below all,
two barrels of cider (probably) looked out dimly from the shadow. The
sunshine streamed richly in, lighting the lemons brilliantly, giving to
the cigars a warm tint of brown, flashing upon the gilt letters of the
casks, dancing on the glasses, and only failing to penetrate the recess
where the barrels lay on their stomachs.
Still did the soldiery and country people stream in. By this time
several pedlers had established their box wagons upon the grassy margins
of the broad village street, and were as clamorous in their vocations as
crows around a carrion.
Public-domain text, read in full here on John Shaqi.
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