Graham's Magazine, Vol. XXXVI, No. 3, March 1850Various
History
Graham's Magazine, Vol. XXXVI, No. 3, March 1850
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
“His health has not been good for some time,” was the young man’s reply.
“He has tied himself down in his studio too long, and worked with too
intent a purpose, until he has wasted his body as you see. A few days
ago, nature sank exhausted under burdens too heavy for her to bear. But
your presence and your care will restore him.”
And Liston was right in his prediction. Ellison soon after sank away
into a deep slumber, which lasted for hours. When he awoke, though weak
almost as an infant, he was in his right mind.
CHAPTER X.
A week subsequent to Clara’s arrival in Venice, whither she had come
after a month’s search in Paris, Naples, Florence and Rome, for her
husband, she sat by the bed-side of Alfred, now rapidly recovering,
while Ella, their beautiful child, over a year old, was sleeping in her
arms.
“I know it would have been better, Clara, far better,” said the invalid,
replying to a remark which his wife had made. “But the disasters of that
western business put me half beside myself. Ah me! how much happier we
would have been if your fortune had been like my own—nothing.”
A cloud flitted over the brow of Clara as he made this last remark. She
sighed faintly, and was silent.
“I am weak and foolish on this subject,” said he, after a few moments.
“But you understand why it is so. The weight of a feather will hurt an
inflamed wound.”
Clara looked at her husband half reproachfully, and then changed the
subject.
A year longer Ellison remained in Italy, devoting his time to study and
practice in the higher schools of art, and then turned his face
homeward, taking with him about twenty pictures, half of which were his
own compositions, and all of a high order of merit.
There is now, in the city of New York, an artist whose pictures are
scarcely dry from the easel ere they meet with purchasers at a liberal
price. His portraits are among the finest that are produced, and he is,
consequently, never without a sitter. Money flows in to him by
thousands, and from the proceeds of his own work, he has surrounded
himself with all the elegances of life that a man of taste could desire.
That artist is Ellison. Fifteen years have elapsed since the painful
events we have described transpired. But success has not entirely
obliterated the marks they left behind. To let his mind go back and
linger thoughtfully on the past, is but to throw a shadow over his
spirit. Often, as he looks into the face of his wife, comes upon him the
remembrance that he sought her, at first, less for herself than for the
external advantages she would bring him, and that she knows of the
mercenary feelings which drew him to her side.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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