Graham's Magazine, Vol. XXXVI, No. 6, June 1850Various
General
Graham's Magazine, Vol. XXXVI, No. 6, June 1850
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
And so they proceed until certain followers of the house of Montague
entering, an affray ensues. Now two things are to be observed here. The
servants reflect the temper of their masters, and quarrel the moment
they meet; and their conversation is a mere quibbling upon certain
words, pursuing the fanciful suggestions of sound or meaning. Thus the
whole subject is presented in the first page.
Very similar to this, though a little more refined, in accordance with
the characters of the speakers, is the contest of wit between Mercutio
and Romeo, (Act 2d, Scene 4th,) and the former’s description of
Benvolio’s aptness to quarrel, (Act 3d, Scene 1st,) “Thou wilt quarrel
with a man for cracking nuts, having no other reason but because thou
hast _hazel_ eyes—what _eye_ but such an _eye_ would _spy out_ such a
quarrel,” etc. etc.
The servant who was sent to invite the guests to the supper at
Capulet’s, having a paper with a list of their names, talks in the same
style about the difficulty of finding out the persons writ there, when
he could not read the names that had been writ there; and his
misquotations of maxims is every way characteristic of the theme and of
the clown. (Act 1st, Scene 2d.)
The _Nurse_ makes her first appearance in the conversation with Lady
Capulet about the age of Juliet. (Act 1st, Scene 3d) Instead of
answering the question of her mistress directly, which she might have
done with a monosyllable, she runs into a long reminiscence respecting
her own daughter, her husband, and the “weaning” of Juliet, all matters
connected with the subject, and suggested by it, but absurdly minute and
complex. She resembles Mercutio in the recklessness with which she
pursues her whims, albeit they are of a somewhat different character.
At the first interview between Romeo and Juliet, (Act 1st, Scene 5th,)
Romeo happens in addressing her to use the word “pilgrim;” and the whole
subsequent conversation consists of quibbles upon this word. In like
manner the word _volume_, in Lady Capulet’s description of Paris,
suggests all the remainder of her speech:
Read o’er the _volume_ of young Paris’ face
And find delight _writ_ there with beauty’s _pen_.
. . . . . . .
And what obscured in this fair _volume_ lies,
Find _written_ in the _margin_ of his eyes.
This precious _book_ of love, this _unbound_ lover,
To beautify him only lacks a _cover_.
. . . . . . .
That _book_ in many eyes doth show the glory,
That in gold _clasps_ locks in the golden _story_; etc. etc.
The famous garden scene, (Act 2d, Scene 2d,) opens with Romeo’s speech:
He jests at scars that never felt a wound,—
[_Juliet appears above at a window._
But soft! what light from yonder window breaks!
_It is the East, and Juliet is the sun._
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