Graham's Magazine, Vol. XXXVII, No. 2, August 1850 — John Shaqi
Graham's Magazine, Vol. XXXVII, No. 2, August 1850Various
General
Graham's Magazine, Vol. XXXVII, No. 2, August 1850
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Against Donnizzetti it has been argued that he was a plagiarist; but
when the number of operas which he has written are taken into
consideration, the accusation will not bear weight or scrutiny. His
style is neither so flowing nor so scientific as that of others, but his
works are nevertheless highly meritorious, being generally very
melodious and expressive. In the course of a long and famous life
Donnizzetti produced upward of seventy operas. Among the best of these
are his Lucia di Lamermoor, Belisario, Pia de Tolomeo, Lucrezia Borgia,
Torquato Tasso, Fausta, Anna Bolena, Roberto Devereux, Betly, Elisire
d’Amoré, Linda di Chamouni, Il Burgomastro di Saardam Favorita, and
others.
Giuseppe Verdi is the latest composer of the Italian school, and he
promises to be one of its brightest ornaments, when experience shall
have amended his faults and restrained him from those bursts of too
powerful effort which he delights to exhibit, and which impart a
strained character to his works. There are many of the London Dilletanti
who affect to dislike Verdi; but the only reason which can be given for
the harsh criticism which is dealt out with no sparing hand on the
devoted head of the young aspirant, is the habit which too often exists
in that city to despise modern talent to the exaltation of the wisdom
which is past and gone. The chief beauty of Verdi’s writing is to be
found in his moving choruses and concerted pieces. These exhibit
profound musical knowledge combined with much genius, great feeling, and
frequently exquisite taste. As examples of a happy union of these
qualities, may be instanced the chorus “_Il Maledetto non ha fratello_,”
in Nabuco; the terzetto, in Ernani; the chorus of crusaders, in I
Lombardi, and others. His operas are Nino, Ernani, I Lombardi alla prima
Crocciata, I due Foscari, and Attila. Of these the four first mentioned
are unquestionably the best. There are many other writers of great
talent among the Italians, but as they are little known to the world a
consideration of them may, perhaps, be deemed prolix.
Public-domain text, read in full here on John Shaqi.
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