Graham's Magazine, Vol. XXXVII, No. 2, August 1850 — John Shaqi
Graham's Magazine, Vol. XXXVII, No. 2, August 1850Various
General
Graham's Magazine, Vol. XXXVII, No. 2, August 1850
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The task of organizing and perfecting so complete and infallible a
scheme must have been immense. In the first place the distance, so to
speak, between each tone of which the human voice is capable was to be
defined by certain laws and rules, and represented by distinctive marks.
Then the length or duration of each tone in any given air was to be
marked separately or in junction with other tones, without deranging the
qualities of any or detracting from the harmony of the whole. Then were
to be encountered the difficulties incidental to changes of the key-note
or tone. On discovering that the human voice, after executing seven
notes, among which are five tones and two semitones, produced, in
ascending to the eighth, a tone exactly similar to the first, it was
necessary to construct a scale of keys which would always place the two
semitones in exactly the same position, and in the same relation to the
full tones. Lastly, and perhaps more wonderful than all, a proper and
minute division of TIME was to be effected. That inherent appreciation
of what musicians term “time,” which almost every human being possesses
naturally, but which few understand, and none can explain, was to be
expressed and defined. Divisions and subdivisions were to be
demonstrated and made clear. This was the task of tasks. Savages, who
never heard of the existence of such a science as music, are known to
clap their hands in unison at certain measurable periods in their wild
songs. They observe the law of musical time, without having the
slightest conception of what time is. Nor are we much better now. We can
write time as well as tune, but we know not now, nor have we yet been
able to analyze or detect the instinct which teaches us, as it does the
Savages, at what periods of any given air we should mark time. Yet
thousands of persons, singing together, will “_beat_” at the same
instant. No one knows why or wherefore it should be so. We only feel
that it is so, and that human ingenuity has enabled us to write and
otherwise to mark time. The order of intellect, which first discovered
the means of doing even this little, must have been very high indeed.
Public-domain text, read in full here on John Shaqi.
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