Graham's Magazine, Vol. XXXVII, No. 3, September 1850Various
General
Graham's Magazine, Vol. XXXVII, No. 3, September 1850
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Scene 5th. Macbeth now trusts to the strength of his castle, and
_proclaims_ his confidence by ordering his banners to be hung on the
outward walls. When he hears the cry of women, he comments on the
_effect of custom_.
I have almost forgot the taste of fears.
. . . . . . .
Direness, _familiar_ to my slaughterous thoughts,
Can not once start.
When told of the queen’s death, he says it is _unseasonable_: “she
should have died hereafter;” and his reflections on life have the same
relation to the theme as those on his “way of life” in Scene 3d.
It is a tale
Told by an idiot, _full of sound and fury_,
_Signifying nothing_.
He is now told that Birnam wood is coming to Dunsinane; and the rock on
which he has heretofore stood so firmly begins to crumble beneath his
feet. He begins to pall in resolution, and to “doubt the equivocation of
the fiend, that _lies like truth_.”
Scene 6th contains less than a dozen lines. The soldiers throw away
their leafy screens, and show their true strength.
In the next and last scene the remaining promise of the weird sisters is
literally kept to the ear, but “broken to the hope”—for it turns out
that Macduff was _not_ of woman born. The force of professional habit
appears in old Siward’s conduct on hearing of the death of his son. “Had
he his hurts before?” he asks; and, being satisfied on that point,
ceases to mourn for him. Finally, _ceremony_ is employed by Malcolm in
rewarding _substantial merit_; his thanes and kinsmen are created earls;
and all other proper forms observed “in measure, time, and place.”
The reader will readily perceive that different aspects of the theme
predominate in the several stages of the play; and if these stages seem
somewhat irregular, it must be borne in mind that the present division
into acts and scenes was not the work of Shakspeare, but of his editors.
In Macbeth we see a perpetual conflict between the _real_ nature of man,
and the _assumed_ character of the usurper. He is “full o’ the milk of
human kindness;” loves truth and sincerity; and sets a high value on the
good opinions and the sincere friendship of others. But he is also
ambitious; he is urged forward by the demoniac spirit of his wife, and
entangled in the snare of the weird sisters. Under these influences he
endeavors to play the part of a remorseless tyrant; but his kindlier
nature is constantly breaking out; and though he strives so hard to
maintain his _assumed_ character, that he at length refuses to “scan”
his deeds until they have been “acted,” yet we find him in the height of
his power mournfully regretting his own blood-guiltiness, and the
_hollow-heartedness_ of all around him.
Public-domain text, read in full here on John Shaqi.
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