European ideas concerning the sales of females in the East are generally erroneous. Our knowledge on this subject rests essentially on what we have seen in the theatres and in pictures. But dramatic authors and painters desirous of obtaining the picturesque above all else, do not regard exactness very closely. The latter, in order not to divide their pictures into apartments, have shown us a great common room, in which all, males and females, all young, all handsome and half naked, divided into groups, pass under the inspection of the first comers. The promenaders make the circuit of the galleries; huge Turks, crushed beneath their turbans, and muffled in their cashmere robes, their silk caftans and their furs, smoke tranquilly, seated in the corner as in a coffee-house. Sometimes, in these fantastic sketches, a slender greyhound, with his sharp muzzle, or a beautiful spaniel, with a flowing tail, figures as an accessory, as in the great compositions of Reubens or Vandyke; but in Turkey dogs are prohibited from entering. The former, dramatic poets or authors, have boldly established their markets on the public square, before a crowd of chorus singers, with pasteboard camels to add to the local coloring. It is true, that, thanks to the convenience of the scene, the costume of the beautiful slaves for sale has been increased. The purchasers of women at the opera are forced to be content with a very superficial examination. A bazaar of this kind is much less accessible than these gentlemen would induce us to believe. Divided into private chambers, the women of every color and all ages, especially those whose youth and beauty command a high price, are lodged almost alone, under the custody of their sellers. In order to penetrate the sanctuary one must be a Mussulman, and offer guarantees, either from his position or his fortune; for the first curious person who presents himself is not permitted to see and buy. Baïla and her companions entered, then, into a saloon of the grand bazaar of Constantinople, to take up their positions in the upper port of a chamber. Each desirous of reigning over the heart of one of the grand dignitaries, sought the most favorable position to show off her attractions to the greatest advantage, and was disposing herself so as to arm herself with all her natural or acquired graces, when a small old man, with a meager and mean turban, a caftan without embroidery or furs, as old-fashioned as its master, entered the room almost furtively. It was an Armenian renegade, who had made his fortune by superintending the affairs of an old vizier, whose treasurer or _khashadar_ he was.