Graham's Magazine, Vol. XXXVII, No. 4, October 1850 — John Shaqi
Graham's Magazine, Vol. XXXVII, No. 4, October 1850Various
General
Graham's Magazine, Vol. XXXVII, No. 4, October 1850
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
This double victory found her indifferent; she had exhausted all the
emotions she could experience; she had so far distanced her rivals, that
triumph over them no longer excited her vanity; the slaves around her
were so submissive that she no longer took pleasure in commanding them.
The pacha was tamed, tamed even to weakness, to cowardice; every one,
even the lion, submitted to the power of the favorite, and with such
unanimous accord, that in this harem, where every thing prostrates
itself before her, and every thing is done in accordance with her will
or her caprice, she has but a single enemy whom she cannot conquer; it
is ennui. That threatened to increase daily, and to strengthen itself by
the weakness of the others.
The pacha went on the same day to the city; Baïla consented to accompany
him; and after having remained a short time at Shivas, they had scarcely
returned to Kizil-Ermak, when she appeared entirely different from what
she had been at her departure. Gayety and vivacity had returned to her;
the smile to her lips, joy to her eyes; she had refound her sweetest
songs, her most graceful dances. She was charming in the eyes of Djezzar
and even of Haïder. It was said she had been spontaneously metamorphosed
by the way.
The good humor of the favorite communicating itself to the pacha, and
spreading from him far and near, all was joy in the palace that night.
Baïla alone possessed the secret of this general joy.
CHAPTER III.
Shut up in her palanquin, in the suite of the master, as she was passing
with the escort through one of suburbs of Shivas, on their return to the
Red River, and was amusing herself with looking at the inhabitants,
Turks and Christians, fly, pell-mell, in disorder, so as to hide or
prostrate themselves at the sight of the pacha, she remarked one, who,
remaining erect and motionless, did not appear to participate in the
emotions of the crowd.
Baïla was at first astonished that the guards, the _cawas_, did not
force him to assume a more humble posture; she examines him with more
attention and starts. He wears the dress of a Frank, and as far as she
can judge through her double veil, and the muslin curtains of the
palanquin, which were spangled with gold, his features are those of the
unknown.
By a movement quicker than thought, veil, curtains, all are at once
thrown aside. It is he—their looks meet. The stranger is troubled. He
is doubtless again overcome by the resplendent lustre of so much beauty;
then, with an expression full of love, he raises his eyes to heaven, and
places one hand upon his heart; he moves quickly in this hand a small
brilliant, gilded object which Baïla could not distinguish, for the
curtains had already fallen.
This imprudent, daring scene, which occurred in the midst of a crowd,
had no witnesses, all were flying or were prostrate on the ground.
Public-domain text, read in full here on John Shaqi.
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