Graham's Magazine, Vol. XXXVII, No. 4, October 1850Various
General
Graham's Magazine, Vol. XXXVII, No. 4, October 1850
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The woman made a sign to her husband not to stop him. In fact, as she
had foreseen, he stopped before reaching the door, and turning toward
the master of the house said—
“Brother in God, I have rested beneath your roof. In return for your
hospitality, I give you some good advice. You have children?”
“Two daughters.”
“Well, have an eye to them, for the Lesghis have recently descended from
their mountains and carried off large numbers in Guriel and Georgia.”
“Let them come,” replied the Mingrelian, “I have three sons and four
guns.”
The merchant then made a movement of departure, but having cast a rapid
glance on Baïla, he raised his right hand with his five fingers
extended.
Baïla, red with shame, cast on him a look of contempt and took the
attitude of an insulted queen. Thanks to that look and attitude, in
which he doubtless found some flavor, the merchant raised a finger of
his left hand.
The Mingrelian showed his ten fingers, not however without an angry
glance from his wife, who muttered, “it is too soon.”
“Honey is dear in your district,” said the man with the turban; “I
foresee I shall have to buy it from the Lesghis against my will.
Farewell, and may Allah keep you.”
“Can we not on the one hand sell any thing, nor on the other buy any
thing without your turning your back so quickly on us on that account?”
replied the father. “Repose still, the oar has doubtless wearied your
hands.”
“That is why they are so difficult to open,” growled the housewife.
“Since you permit it,” said the merchant, “I will remain here until the
sun has lost a little of its power.”
“I cannot offer you any thing but the shade. I know that the children of
the prophet avoid food beneath the roof of a Christian; but instead of
that you can indulge in a permitted pleasure; as my daughter is still
here, she can sing for you.”
Baïla sang, accompanying herself with an instrument. The man with the
turban, seated on his heels, his arms crossed on his knees, his head
resting on his arms, listened with a profound and immovable attention,
and when she finished, in testimony of his satisfaction, he contented
himself with silently raising one finger more.
Baïla, to the sound of ivory castanets and small silver bells, then
performed an expressive dance, imitating the voluptuous movements of the
bayaderes of India and the Eastern almas, but with more reserve however.
Forced this time to look at her, the man with the turban was unable to
disguise the impression made upon him by so much grace, suppleness and
agility, and, in an irrestrainable outbreak of enthusiasm, he raised two
fingers at once. They were near to a conclusion.
In this mysterious bargaining, this language of the fingers, these mutes
signs were used to enable the parties to swear, if necessary, before the
Russian authorities, by Christ or Mahommed, that there had been no
conversation between them except about honey, furs or beaver skins.
Public-domain text, read in full here on John Shaqi.
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