Graham's Magazine, Vol. XXXVII, No. 5, November 1850 — John Shaqi
Graham's Magazine, Vol. XXXVII, No. 5, November 1850Various
General
Graham's Magazine, Vol. XXXVII, No. 5, November 1850
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
GRAHAM’S MAGAZINE.
VOL. XXXVII. November, 1850. NO. 5.
Table of Contents
Fiction, Literature and Articles
Enchanted Beauty. A Myth.
The Vision of Mariotdale
Tamaque
The Sunflower
Minnie de la Croix
Pedro de Padilh
Nettles on the Grave
Familiar Quotations From Unfamiliar Sources
Two Crayon Sketches
Quail and Quail Shooting
Review of New Books
Editorial. To Rev. Rufus Wilmot Griswold
Poetry, Music, and Fashion
Hylas
Sorrow
Sonnet.—Moral Strength.
The Reconciliation
Unhappy Love
The Wife’s Last Gift
I Dreamed
Theodora
Charlotte Corday
Sonnet—To Arabella, Sleeping
The Spectre Knight and His Ladye-Bride
To L——. with Some Poems
Wordsworth
Le Follet
Transcriber’s Notes can be found at the end of this eBook.
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[Illustration: THE ANGEL’S WHISPER.]
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GRAHAM’S MAGAZINE.
VOL. XXXVII. PHILADELPHIA, November, 1850. NO. 5.
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ENCHANTED BEAUTY. A MYTH.
The mythologies, in which the faiths, philosophies and fancies of the
world have taken form, have such truth and use in them that they endure,
under corresponding changes, through the reformations of creeds and
modifications of ceremony which mark the history of natural religion
throughout all ages and countries. The essential unity of the race, its
kindred constitution of mind and affections, its likeness of instincts,
passions and aspirations, naturally account for the under-lying
agreement in principles, and central similarity of beliefs, which are
traceable clean through, from the earliest to the most modern, and from
the most polished and elaborate eastern to the rudest northern opinions;
and the nice transitions of doctrine from the infancy to the maturity of
faith and philosophy, are marked by an answering variance in their
significant ceremonials. But, however mingled and marred, the inevitable
truth is imbedded in all the forms of fable, and, under an invariable
law of mind, the inspirations of fancy correspond in essentials to the
oracles of revelation, just because human nature is one, and its
relations to all truth are fixed and universal.
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