But it was with wondering, with surprise, that she did not attempt to conceal, and with questions which were satisfied with no definite reply, that Mrs. Melville found herself standing with her son in an obscure corner of the Opera-House, that night. Soon all her expressions of astonishment were hushed, but by another cause than the mysterious inattention of her son—a queenly woman appeared upon the stage, she lifted her voice and sobbed the mournful wail, which opens the first scene in —— ——. For years, there had not been such a sensation created among the frequenters of that place as now, by the appearance of this stranger. The wild, singular style of her beauty, made an impression, that was heightened by every movement of her graceful figure, every tone of her rich, melodious voice.—She seemed, for the time, the very embodiment of the sorrow, to which she gave expression, and the effect was a complete triumph. Mary Melville and her son gazed upon the debutant, they had no look no word for each other; for they recognized in her voice, the tones of a grief, of which long ago they heard the prelude, and every note found its echo in the bishop’s inmost heart. “Come away! let us go home! Duncan, this is no place for us, for _you_; it is disgrace to be here,” was the passionate plea of the mother, when at last, Rosalie disappeared, and other forms stood in her place. “We will stay and save her,” was the answer spoken with tears and trembling, by the man for whom, in many a quiet home, prayers in that hour ascended. “She is mine _now_, and no earthly consideration or power shall divide us!” And looking steadfastly for a moment in her son’s face, the lady turned away sighing and tearful, for she knew that she must yield then, and she had fears for the future. A half hour passed, and the star of the night re-appeared—resplendent in beauty, and triumphing in hope—again her marvelous voice was raised, not with the wail of sorrow—not with the bitter cry of despair that was hopeless, but glad, and gay, angelic in its joy. Again the mother’s eyes were turned on him beside her—and a light was on that pale forehead, a smile on that calm face, a gladness in those eyes, which she had not seen there for long years,—and though she could not wonder as she looked with a mother’s love upon the one, who stood the admiration of all eyes, crowned with the glory-crown of perfection in her art; she could not with Duncan, hope. For, alas! her woman heart knew too well, the ordeal through which the daughter of her care and love must have passed, before she came into _that_ presence, where she stood now—who could tell if still the mistress of herself, and of her destiny, pure and undefiled? * * * * *