Granada and the Alhambra: A brief description of the ancient city of Granada, with a particular account of the Moorish palaceCalvert, Albert Frederick
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Granada and the Alhambra: A brief description of the ancient city of Granada, with a particular account of the Moorish palace
Calvert, Albert Frederick
Alhambra (Granada, Spain); Art -- Spain -- Granada; Granada (Spain) -- Description and travel
The Cathedral. View from the Choir 399
The Cathedral. General View of the Chancel and
High Altar 400
Bas-relief in the Altar-piece of the Royal Chapel 401
General View of the Chancel in the Cathedral 402
The Royal Chapel. Sepulchre of the Catholic Sovereigns 403
The Royal Chapel. Detail of the Sepulchre of the
Catholic Sovereigns 404
The Royal Chapel. Sculpture of King Ferdinand the
Catholic 405
Sepulchre of Ferdinand 406
Sepulchre of Isabella the Catholic 407
Portal of the Church of San Juan de Dios 408
Sepulchre of Alonso Caño in San Gerónimo 409
Head of John the Baptist 410
Head of John the Baptist 411
Head of John the Baptist 412
Exterior of the Cartuja Monastery 413
Sacristy in the Cartuja, Left Side 414
Sacristy in the Cartuja, Right Side 415
Cartuja. Sancta Sanctorum 416
Cartuja. Detail of the Cupboards in the Sacristy 417
Altars in the Cartuja. Pictures by Sanchez y Cotán,
a Monk of the Order 418
Cartuja. The Immaculate Conception. By Murillo 419
Cartuja. The Virgin of the Rosary. By Murillo 420
Cartuja. St. Joseph and the Child. Sculpture by
Alonso Caño 421
Cartuja. St. Mary Magdalene. Sculpture by Alonso
Caño 422
Cartuja. Horsemen hanging Martyrs. By Sanchez
Cotán 423
Cartuja. The Baptism of Our Lord. By Sanchez
Cotán 424
Cartuja. The Holy Family. By Sanchez Cotán 425
The Crucifixion of Our Lord. By Morales 426
The Conception of Our Lady. By Morales 427
The Gypsy Quarters. Exterior of the Caves 428
The Gypsy Quarters. An “At Home” 429
Gypsy Dance in their Quarters 430
Gypsy Types at the Doors of their Caves 431
Gypsy Dance in their Quarters 432
Gypsy Dancers and their Captain, J. Amaya 433
Public-domain text, read in full here on John Shaqi.
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