Granada and the Alhambra: A brief description of the ancient city of Granada, with a particular account of the Moorish palaceCalvert, Albert Frederick
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Granada and the Alhambra: A brief description of the ancient city of Granada, with a particular account of the Moorish palace
Calvert, Albert Frederick
Alhambra (Granada, Spain); Art -- Spain -- Granada; Granada (Spain) -- Description and travel
The parish church of Santa Maria, erected in 1581, occupies the site of
the Mosque of which Al Khattíb appears to speak, writing of the deeds
of Mohammed III. (1302-1309). “And among his great actions, the greatest
and most remarkable was the construction of the great Mosque or Aljama
of the Alhambra, with all that it contained of elegance and decoration,
mosaics, and cements; as well as lamps of pure silver and other great
marvels. In front of the Mosque were the baths, erected with the money
levied from the Christians in his dominions. With the receipts from
these baths the Mosque and its ministers were maintained.” The modern
church is of brick, and contains nothing of note, except a Visigothic
inscription, referring to the construction of three temples, dedicated
to St. Stephen, St. John, and St. Vincent, in the years 594 and 607.
THE PALACE OF CHARLES V.
The forlorn, roofless palace in the classical style, which seems so out
of place amid these Oriental buildings, was begun by order of the
Emperor Charles V. in 1538. It was never completed. The Flemish Cæsar’s
intention seems to have been to establish a permanent residence here,
whence he could contemplate the beauties of the Moorish palace. The
building is a quadrangle of four façades, each seventeen metres high.
The lower storey is of the Tuscan order, the upper, Ionic. Some of the
marble portals are very fine. In the decoration appear allusions to the
campaigns, on sea and land, directed by the Emperor, his motto, _Plus
oultre_, and the emblem of the Golden Fleece.
The interior of the palace is occupied by an imposing circular court,
with a gallery supported by thirty-two columns. The staircase is loftily
designed, and altogether the palace, if it had been completed and built
almost anywhere else, would have been a dignified memorial of Charles’s
reign.
THE GENERALIFE
Across an ivy-draped ravine--a perfect study in green and red--the
Palace of Recreations, the Generalife, overlooks the rugged walls of the
Alhambra. The name is believed to have been derived from Jennatu-l’arif,
“the garden of the architect.” The palace appears to have been built by
a Moor called Omar, from whom it was purchased by the Sultan
Abu-l-Walid. At the Reconquest it became the property of a renegade
prince, Sidi Yahya, who adopted the name of Don Pedro de Granada, and
whose descendants, the family of Campotejar, are to this day the actual
owners.
The Generalife cannot be regarded as an important monument of Moorish
architecture. Through the central court, which measures 48.70 by 12.80
metres, runs the conduit which irrigates the whole estate, and connects
with the Acequia (or canal) de la Alhambra. The arcaded southern façade
and the spacious hall adjoining have been altered in order to make a
large vestibule. The arcade resembles that of the Court of the
Fish-pond, and exhibits a poetical inscription declaring that
Abu-l-Walid restored the palace in the year 1319.
Public-domain text, read in full here on John Shaqi.
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