Grandmother: The Story of a Life That Never Was Lived — John Shaqi
Grandmother: The Story of a Life That Never Was LivedRichards, Laura Elizabeth Howe
General
Grandmother: The Story of a Life That Never Was Lived
Richards, Laura Elizabeth Howe
Families -- Fiction; May-December romances -- Fiction; Villages -- Fiction; Young women -- Fiction
“Roll, roll, rolling billow,
Smooth, smooth my sleepy pillow,
Golden mast and a cedar paddle,
For to set my spirit free!”
CHAPTER V
HOW THE SECOND LINE CAME IN HER FOREHEAD
IT was when Grandfather died that the second line came across
Grandmother’s clear forehead. Sometimes—when she was playing with the
children, for example—it was so faint one hardly noticed it; but again
it would be deep, a line of thought—or was it pain?—drawn straight as
by a ruler. Manuel noticed it one day, and spoke of it.
“You look troubled, Grandmother. What is it?”
“I have lost my best friend, Manuel,” said Grandmother. “I may well
look troubled; yet it is not trouble either, only sorrow, for missing
him, and for wishing I had done more for him.”
“No one could have done more,” said Manuel; “you were an angel to him.”
He was silent a moment; then he said, “You used to call me your best
friend—once. Shall I call you Pitia again, Grandmother?”
Something in his tone—or was it something _not_ there?—drew the line
deeper across the white forehead. She waited a moment before she spoke,
and then answered carefully, keeping an even tone:
“Perhaps ‘Grandmother’ is better, Manuel; we are all used to it, you
know. Why should we change?”
“As you please!” said Manuel; and whether there was more regret or
relief in his voice, who shall say? He lingered a moment, hesitating,
with words on his lips which seemed to hang, unready for utterance; and
Grandmother stood very still, only her breath fluttering a little; but
he need not see that, and did not.
Suddenly from the garden came a voice, clear, shrill, imperious;
Rachel’s voice. “Manuel, where are you? I want you! come, quick.”
Manuel gave one glance at the still face; hesitated a moment; then
muttering something about “Back soon!” he went out.
Little Grandmother stood very still. Sounds crept through her
ears,—the clock ticking, the old cat purring on the hearth, the
song-sparrow singing loud and clear in the apple-tree outside the
sitting-room window,—but she did not heed them. Her eyes were wide
open, fixed on the door through which Manuel had gone. It formed a
lovely picture, blossoming trees, waving grass (winter had come and
gone since Grandfather died), gay flower-beds; but she did not see
them. Only when two figures crossed the space, a girl in a scarlet
dress, a man at her side, looking down as she laughed up in his face,
Grandmother shivered a little, and went over to where the great
work-basket stood, and caught up her sewing with a kind of passion. “I
have you!” she said. “You are mine, good little stitches dear, kind,
good little stitches!”
Public-domain text, read in full here on John Shaqi.
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