Grandmother: The Story of a Life That Never Was LivedRichards, Laura Elizabeth Howe
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Grandmother: The Story of a Life That Never Was Lived
Richards, Laura Elizabeth Howe
Families -- Fiction; May-December romances -- Fiction; Villages -- Fiction; Young women -- Fiction
But her happiest hours were in the garden. It was a lovely place, the
Merion garden; not large, only a hundred feet from the house to the
street; but this space was so set and packed with flowers that from a
little distance it looked like a gay carpet stretched before the old
red brick house. Small lozenge-shaped beds, each a mass of brilliant
color; sweet-william, iris, pansies, poppies, forget-me-nots, and
twenty other lovely things. Between the beds, round and round like a
slender green ribbon, ran a little grassy path, just wide enough for
one person. Grandmother would spend her best hours following this
path; pacing slowly along, stopping here to look and there to smell,
and everywhere to love. She was like a flower herself, as she drifted
softly along in her light dress, her soft hair blowing about her sweet
pale face; a windflower, as Anne Peace said.
One day she had followed the path till she came to where it ran along
by the old vine-covered brick wall that stood between the garden and
the road. You could hardly see the wall for the grapevines that were
piled thick upon it; and inside the vines tumbled about, overrunning
the long bed of yellow iris that was the rearguard of the garden.
Grandmother was talking as she drifted slowly along; it was a way
she had, bred by her lonely life in the western cabin; talking half
to herself, half to the long white lily that she held, putting it
delicately to her cheek now and then, as if to feel which was the
smoother.
“But Manuel never came back!” she was saying. “I never knew, white
lily, I never knew whether he was alive or dead. That made it hard to
come away, do you see, dear? Whether he was lost in the great snow up
on the mountains, or whether the Indians caught him,—I can never know
now, lily dear; and he was my only friend till Grandfather came, and I
loved him—I loved Manuel, white lily! Ah! what is that?”
[Illustration: “THE LONG WHITE LILY—PUTTING IT DELICATELY TO HER
CHEEK.”]
There was a smothered exclamation; a rustle on the other side of the
wall. The next moment a figure that had been lying under the wall rose
up and confronted Grandmother; the figure of a young man, tall and
graceful, with the look of a foreigner.
“Pitia!” cried the young man. “It is you? You call me?—see, I come! I
am here, Manuel Santos.”
Yes, things happen so, sometimes, more strangely than in stories.
He stretched out his arms across the wall in greeting.
“Are you alive, Manuel?” asked Grandmother, making the sign of the
cross, as her Spanish nurse had taught her. “Are you alive, or a
spirit? Either way I am glad, oh, glad to see you, Manuel!”
She drew near timidly, and timidly reached out her hand and touched
his; he grasped it with a cry, and then with one motion had leaped
the wall and caught her in his arms. “Pitia!” he cried. “To me! mine,
forever!”
Public-domain text, read in full here on John Shaqi.
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