Granny Maumee; The rider of dreams; Simon the Cyrenian : $b Plays for a negro theaterTorrence, Ridgely
General
Granny Maumee; The rider of dreams; Simon the Cyrenian : $b Plays for a negro theater
Torrence, Ridgely
African Americans -- Drama
Huh uh. One of us has got to go look fo’ dat money.
LUCY
One of us has got to take back de guitar.
MADISON
I’m goin’ fo’ de money.
LUCY
Den I’ll take dis. [_She takes up the guitar and she and MADISON go
toward door at back. Then she halts._] Oh, Madison, you can do bofe. One
of us has got to stay wif Uncle Williams. But take back de guitar first.
MADISON
All right. I’ll go. An’ I ain’t played on dis heah but twice. [_He takes
the guitar from her._]
LUCY
Go now. Can you fin’ youah way to his porch in de dahk?
MADISON
Will we find de money? Dat’s de p’oblem I wants de answeh fo’.
[_LUCY opens door at back to go out. MADISON is at her side.
Both start back. WILLIAMS stands before them in the open
doorway._]
LUCY
[_Haltingly, after a pause._] How—you like—de stove?
WILLIAMS
[_Entering more vigorously than before._] Well’m, befo’ we goes any
furder we betteh come neareh de real p’int an’ question. I didn’ come fo’
no stove dis night. [_MADISON shrinks back into the shadows._]
LUCY
[_Slowly._] Yo’—don’—wan’—
WILLIAMS
No’m. To be sho’, I might tek de stove one er dese days, but dat ain’
my erran’ now. Hit’s dis; does you know when we mek de bargum about you
buyin’ dis heah house?
LUCY
Twelve yeah ago.
WILLIAMS
Gal, you dreamin’! ’Tweren’t but las’ year. ’Twere de fus’ er Octobah
las’ year an’ I say I gives you de refusals fer one yeah. ’Membeh dat?
LUCY
Yassuh.
WILLIAMS
So fur so good. Now does you know what day de month dis is?
LUCY
Fus’ er Octobah.
WILLIAMS
Dat’s true as preachin’. Well’m, time’s up.
LUCY
What you mean?
WILLIAMS
I’m er man er my wuhd. Pay me de money an’ tek de house.
LUCY
Termorrer—
WILLIAMS
No. Termorrer won’ do.
LUCY
Why you push me so? Oh, please spar’ me an’ wait—wait anutheh day.
WILLIAMS
No, I’m er business man. I kin sell de house fer mo’ money termorrer but
I hold’s to my wuhd ter sell it to you. I holds to it an’ loses money,
but it falls due dis day an’ night an’ I won’ stretch it one jump er my
hea’t.
LUCY
You know—de bank—ain’t open—
WILLIAMS
Sign de check fer hit. You kin do dat, cain’t you?
LUCY
I—s’pose—I—kin.
WILLIAMS
Den up an’ do hit. Heah’s er check, all wrote out but de signin’. [_She
takes the check he produces._] An’ heah’s one er dese fountum pins.
[_She takes the pen._] Octobeh fus’—pay to Zek’l Williams—eight hunderd
dollahs. Des write “Lucy Sparrow.” [_She mechanically turns to do so._]
Looks easy, sho’. But de law allows hit; dis writin’ out money. [_He
pauses, then adds impressively._] Dat is, _ef_ you got de money in de
bank. Co’se ef de money ain’ dah an’ you writes de check fer hit de law
puts you in State prism. [_She stops and stares at him._] [_The pen falls
from her hand and the check flutters to the floor._] What de matteh? You
wants de house, don’ you? [_LUCY’S head sinks._] An’ you got de money,
ain’ you?
MADISON
Dat’s de question. [_He comes forward out of the shadow._]
WILLIAMS
Public-domain text, read in full here on John Shaqi.
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