Granny Maumee; The rider of dreams; Simon the Cyrenian : $b Plays for a negro theaterTorrence, Ridgely
General
Granny Maumee; The rider of dreams; Simon the Cyrenian : $b Plays for a negro theater
Torrence, Ridgely
African Americans -- Drama
You po’ sufferin’ gal, I won’ lay nothin’ onto ’im but I’m a-goin’ to tek
sumpin’ off’n you. I’m goin’ tek de burding er dish yere pack er laziness
off’n you. An’ fus’ I wants ter show you dish yere piece er papeh. [_He
produces a folded document and opens it._] Does yo’ know who wrote it?
Answeh me. [_He shoves the paper under MADISON’S eye._]
MADISON
It looks like dat Wilson Byrd’s writin’.
WILLIAMS
Yassuh, an’ what’s mo’ it is dat man’s writin’. It’s his confession dat
he fo’ge Lucy Sparrow’s name. I saw dat man steal my guitar an’ follered
him home. Dah I grabbed him, dah I foun’ de purse wif Lucy’s name inside
an’ dah I made dat thief write out his confession. Knowed so much of
his meanness already dat he had to do hit. An’ now I owns you. Does you
undehstan’ dat? Answeh me.
MADISON
Yas suh, no suh.
WILLIAMS
Well, I’ll take’n cl’ar up de myst’ry fer you. I got dis confession outer
Byrd an’ I got other things ter prove hit an’ I kin bring him an’ you
too, bofe befo’ de gran’ jury.
LUCY
Oh, my sweet Jesus, save him. [_The old man stands watching the two
before him for some time in silence. LUCY falls on her knees before
him._] Oh, don’t sen’ Madison to de lawyers.
WILLIAMS
No, Lucy, I ain’ wishful ter.
LUCY
You won’t?
WILLIAMS
Mebbe not. But fus’, les’ put all dis talk aside dat I bin talkin’ up
to now. I bin puttin’ on an’ pretendin’ in ordeh ter try you bofe an’
sif’ de chaff from de grain in you. I des bin playin’ wif you ter see
how good you is an’ how ornry dish yere man er youahn is. Yit I’ll take
an’ give him er chance even so, an’ I’ll pluck him f’um de bu’nin’ ef
he follers de paf I p’ints out ter him. But we all got ter have cl’ar
unde’stan’in’ ’bout dat. Fus’ an’ fo’mos’ youah money is all safe wif me.
De house is youah’n.
LUCY
You means you sell it fer de money.
WILLIAMS
In co’se. You didn’t speck I’d steal too, like a w’ite man, did you? I’ll
fetch you de deeds fo’ hit fus’ thing in de mo’nin’.
LUCY
Oh, fu’give me, I was all mix up. But you won’ sen’ Madison to de gran’
jury neitheh?
WILLIAMS
I say I ain’ honin’ ter.
LUCY
Oh, my Makeh, I thank Thee fo’ Thy mercy.
WILLIAMS
But I shorely goin’ to put dis man er youah’n th’oo er tes’ ter see
whetheh he’s fitten ter keep out er jail. Madison, will you tek er tes’?
MADISON
[_Humbly._] Yassuh. What is it?
WILLIAMS
A guitar.
MADISON
A guitar!
WILLIAMS
Yassuh, dat’s hit, no mo’ ner no less. I’m goin’ give you dat
guitar—but—dere’s suhtinly goin’ to be a string tied to it. You kin take
dat guitar but you got to make somethin’ outer yourself wif her or back
she’ll come to me. You kin give lessons an’ learn folks music or you kin
write down de music you make, but you got to do somethin’ wif it fer
Lucy. You got to wake up or I’ll take de guitar. Which’ll it be? Make
youah choice.
MADISON
[_Crushed._] I’ll—keep de guitar.
WILLIAMS
Public-domain text, read in full here on John Shaqi.
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