Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Then, while Dorothy still prepared tea, she moved from the window
and walked to the little shelf of books that occupied the recess on
the farther side of the fireplace. She took down a volume protected
by a stout brown paper wrapper and began to read as she stood. Still
reading, she sidled slowly back to the window, where the light was
better, and mechanically turned the page. She could always pick up a
book and lose herself at a moment's notice like this. If at such times
she was spoken to, she usually gave an "Eh?" or a "Yes--no, I mean,"
and continued to read. She considered it to be evidence of her powers
of mental concentration.
The book she was reading now was the first volume of _The Golden
Bough_. Such a book, of course, was far too expensive for her to
buy; therefore, in order that she might read it and its kind, she
subscribed to a sort of private Association which was composed of
herself and a dozen or so of her old friends of the McGrath. They
bought the books as they were published, passed them (protected by
the brown paper covers) from one to another, and after a time sold
them back to the bookseller again at diminished (but still quite
good) prices. None but rather expensive and abstruse books were thus
bought; had _The Golden Bough_ been procurable in the Bohn Library the
Association would have felt that something of its choiceness had gone;
and Amory hoped, when she had got through _The Golden Bough_, to be the
next in rotation for certain of the Tudor Translations, and she did
wish Laura Beamish would hurry up with _Apuleius and the Golden Ass_.
These things contributed to breadth of outlook. It had for too long
been a justly-founded reproach against artists that they had no general
culture. Amory felt that, of all people, an artist certainly could
not know too much; and what an artist knows will go, sooner or later,
into his or her art.... She was still deep in _The Golden Bough_ when
Dorothy called, "Ready--come along, Amory----"
Reluctantly Amory laid aside the book and sat down at the little
gate-legged table.
As the two girls took tea they talked of Miss Geraldine Towers's
engagement, of Amory's own plans after the wedding, of the Exhibition
that for various reasons Mr. Hamilton Dix had repeatedly postponed, and
of one thing and another. Then Dorothy rose. She must get back to the
fashion studio in Oxford Street.
"You're going to work, I suppose?" she said, as she tucked the
Doubleday thing into her belt and adjusted her hat before the little
kitchen mirror.
Public-domain text, read in full here on John Shaqi.
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