Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
But Cosimo must be saved for the Cause quickly, for he was giving up
his studio in March, and once he got away again he might fall into the
hands of the designing woman whose existence Amory had suspected. She
knew those designing women. She knew them by the simple process of
inversion of everything that was noble within herself.
Amory had only seen Dorothy Lennard once since the afternoon when
Dorothy had promised to see what she could do about Croziers' contract.
That had been when Dorothy had come to tell her of the mitigation of
its rigour she had secured from Hamilton Dix. But, finding herself
in Oxford Street one afternoon, she sought Hallowells', and tried to
find her way upstairs to the fashion-studio. "Tried," one says, for
nearly twenty minutes Amory was hopelessly lost in the wilderness that
seemed to grow ever more and more complicated as the time fixed for the
opening drew nearer. It was during her wandering through this labyrinth
that Amory received a shock. Passing along a corridor of such vast
length that she seemed to be looking at it through the wrong end of a
pair of opera-glasses, she entered a large apartment where three women
on their knees polished the floor. There she saw a large historical
painting. It was the picture of Queen Bess, Sir Walter, and the Cloak.
Her first impulse was to fall back; her second one, which she obeyed,
was to stand her ground, to put her head back and a little on one side,
and to smile defiantly, indulgently, truculently, all three. It was as
if she said to the picture, "We meet unexpectedly, but since we are
here we may as well have a few words together, you and I!"
A certain amount of skill, manual and ocular, had gone to the making
of the picture--enough, as we have seen, to "hit" Mr. Miller "right
there." Perhaps that was the reason why it hit Amory right there too,
though in the contrary sense. She stepped forward and examined it near;
then she stepped back and examined it at a distance. As she did so, a
man in an astrachan-collared overcoat and an indented grey hat hurried
past, dropping his cigar and uncovering his head as he found himself
in the presence of a lady, even one he did not know; and then Amory
continued her gazing.
Public-domain text, read in full here on John Shaqi.
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