Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
The picture struck her as incredibly funny. First, there was the
subject--"Our old friend Chivalry," Amory mused. Oh yes, Chivalry
in other words, those garlands of roses in her own picture beneath
which the iron chains peeped forth. Chivalry! Oh yes, Amory knew--any
feminist knows--the toils men impose on women when they talk about
Chivalry! Amory became cynical.... Let them amend the Divorce Laws,
and _then_ Amory would listen to what they had to say about Chivalry!
Let them give women equal opportunities with men, and she would excuse
the lifting of a hat or the offering of a seat in a train! Chivalry
might have had its place in the social organization of the Year Dot
(see "Barrage"), but things had moved a bit since then, and woman
to-day _would_ walk through puddles if she wished, though twenty
cloaks were outspread for her to step on! Thank you very much for
your Chivalry ... and _now_ will you give us a little Justice for a
change?... And then the complacent handling of the thing! There was
really nothing to be said! Nobody could say it wasn't "finished";
that was just it; it was fatally "finished"; the man had done exactly
what he had set out to do, and--there it was. No unseizable desire,
no unattainable dream, no Promethean attempt, no suspicion that here
was not the last possible word on the subject; and _this_ in a new and
straining and eager age, when men were just beginning to know that
they knew nothing, and to put off their past boastings, and to take
the cave-dweller into their counsels as their equal, perhaps their
superior, in knowledge! Here, actually to-day, was a man who truly
thought that he knew a thing or two more than the cave-dweller! Oh, the
smugness, the self-satisfaction! Really, Amory would not dare to show
such a man her "Barrage"; its pure heart of fire, shining even through
all its shortcomings, would have shrivelled him and his conceit up! For
surely there, in "Barrage," was the true impulse of the arts to-day.
Some called it "propagandist," but what, Amory wanted to know, had all
these Virgins and Children, all these Crucifixions, all these Holy
Families of the past been but propaganda? The arts had been shackled
to the propagation of superstition and dogma, and of the tenets of a
religion that had found its expression one day in seven; but in the
Newer Day all days were going to be equally holy, with the abolition
of the Sabbath as a first step to the consecration of the other six.
To the Virgins and Children of the future a proper comprehension of
the Rights of Woman and the Responsibilities of Parentage would be
brought. Eugenics would have a word to say about the Holy Families. The
Crucifixions would probably be cut out altogether.... To bring that
day nearer was Amory's mission. If she could only sell "Barrage"--and
she thought she could now, for the Women's Manumission Guild had
approached her about it, and an Executive was further considering it....
Public-domain text, read in full here on John Shaqi.
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