Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
"I don't think you quite understand, Dorothy. You see, it isn't like
those other things Croziers' got. Those were just knocked off. I don't
want to be conceited about 'Barrage,' but it has rather taken it out
of me, in thought and emotion and those things. I've been feeling a
perfect rag after a day at it. Of course, there were heaps of things
I should like to do to it, but 'No,' I said that morning, 'you've
expressed yourself, and if you began tickling it up here and there
you'd only take away from the fierce meaning of it.' So I threw my
brushes down, and then collapsed--perfectly limp."
"Oh!" said Dorothy deferentially. She herself had once collapsed
during a spring rush, but that had been a quite inferior collapsing,
from too long hours simply, not from any emotional strain. But Amory
misinterpreted her mild and respectful "Oh!" She spoke rather sweetly.
"Of course I must live, and nobody can say I don't live frugally. But
that apart, I don't do this for money at all. I do it because of my
beliefs."
"Oh!" said Dorothy again, this time very much as some gallant monarch
might have protested that he never meddled with the beliefs of ladies.
"I know," Amory continued firmly, "that there are some things we
don't agree on, and of course I think I'm right and you're wrong, or
I shouldn't believe what I do. But I do think that that picture in
there," she made a little vague pointing movement, "preaches--well, a
perfectly damnable lesson--from the feminist point of view perfectly
damnable."
"I--I don't think it's meant to," Dorothy ventured to say. "I don't so
much mind it really--not that it pretends to be very much--but parts of
it are quite like something, and I think painting has to be like things
when all's said and done--I mean--certain sorts of painting----"
It was rather a tickling experience for Amory to be schooled by a
fashion-artist on "sorts of painting," and she wished Cosimo had been
there to hear. And on these lines she knew that she could play with
Dorothy as a cat plays with a mouse. So she was beginning, "Oh, why
must painting necessarily be 'like' things, as you say? Is it a Law? Do
tell me!" when suddenly Dorothy took her back altogether. For all the
world as if both of them had been talking about one thing and thinking
of another all the time, Dorothy boiled up.
"Oh, Amory, you do make me so cross!" she cried. "Really, to hear you
sometimes, nobody would think an awfully pretty girl was talking! Who
cares a button about your opinions, with looks like yours? I could
understand it if you were plain! I do wish you could manage to be a bit
more like a human being; why don't you put on some clothes like other
people's, instead of always dressing as if you were going to have a
baby? Can't you take an interest in things, instead of always moping
the way you do? Why, you might be a superfluous woman yourself!"
Public-domain text, read in full here on John Shaqi.
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