Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
For one moment Amory fairly lost her composure, but only for one
moment. The next moment she had seen what was the matter. By "taking an
interest in things" Dorothy meant forsaking her principles; by "putting
on clothes like other people's," she meant abandoning her velvets and
corduroys that took the light in such lovely broken bits of accidental
colour, and dressing like one of her own impossible fashion-plates;
and by being "a bit more like a human being," she meant sitting with
a young man on a box and kissing him with a mouth full of sandwich.
It was almost too funny to laugh at. If Dorothy would only ask her
outright what she evidently had in her mind to ask her--why she didn't
marry Cosimo--it would be perfect. Poor old Dot! She had been fairly
caught only a few minutes before, and naturally would still feel rather
sore. Amory waited for her to go on.
She did go on. "I've wanted to say this for a long time," she said.
"Look here, Amory, why don't you marry Cosimo and have done with it?
You're lovely--he's quite good-looking--you seem to understand one
another all right--I'm sure you ought to by this time--and it would be
ever so much more sensible! It seems to me you could drag on like this
for ever!"
Amory's golden eyes seemed to dance with mirth. Of course that
accidental discovery had forced Dorothy's hand beautifully. Dorothy
was pleading with her as earnestly as if she had just been seen, not
"canoodling" under a counter (that Amory believed was the word used
in such cases), but lifted up on a plinth, in a heroic pose, with an
archangel by her side, grouped with their faces towards the east or
in whatever quarter the sun of Feminism might be expected to rise....
Amory had not even to say anything. All she needed to do was to stand
smiling at dear old Dot and to watch her grow redder and redder.
Obviously there was no need to accuse Dorothy when Dorothy was accusing
herself.
In another moment, too, Dorothy was defending herself. Her eyes, in the
surrounding flush of colour, seemed bluer than ever. And in jumping
straight at Amory's thought she skipped a stage.
"I don't care anyway," she blurted out. "Some things _are_
understandable, but you and Cosimo--well, who's to make head or tail of
_you_? You're always together, early and late, sometimes in your place
and sometimes in his--of course _I_ understand, dear, but really I
don't see how you could blame people who didn't if--if----"
Already Amory had drawn herself up to her full five foot against the
redwood counter and had tossed back the bright nasturtium of her head.
"If what?" she asked, the brook-brown eyes looking full into Dorothy's
blue ones.
"Well, if they draw their own conclusions, if you must know," Dorothy
blurted out.
As a wet cloth wipes chalk from a blackboard, so the smile had gone
from Amory's face. Most decidedly she wasn't going to stand this--at
any rate not from Dorothy.
"Oh!" she said. "What people? And what conclusions?"
Public-domain text, read in full here on John Shaqi.
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