Gray youth: The story of a very modern courtship and a very modern marriage — John Shaqi
Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
"Glenerne," the boarding-house between Brook Green and Goldhawk Road
in which Amory lived with her aunt, was really two large houses thrown
into one; and, besides sheltering its twenty-odd guests, it served as a
sort of academy for the teaching of English to foreign waiters. These
came--German, Swiss, Danish, Belgian, even Turkish--without a word of
our tongue, gave their services for several months in return for their
food, and a year or so later were to be found in the restaurants of
Frith and Old Compton Streets and the brasseries of Leicester Square,
as English as you please. Perhaps in the manner of food they came off
better than did the guests themselves, for, while the establishment
provided four set meals a day, you had to sit down to all of these
unless you would go slightly hungry. Miss one and you never quite
caught up again.
But you forgot this slight nearness to the knuckle in the fullness with
which Miss Addams's advertisement in _The Shepherd's Bush Times_--the
one that began "Young Musical Society"--was redeemed. Every night there
was something "on"; if it was not a whist drive or singing it was an
impromptu dance in the large double drawing-room on the first floor,
or charades, or a semi-private rehearsal by the Glenerne contingent of
the Goldhawk Amateur Dramatic Society. The _esprit de pension_ was very
strong; it was as if a vow of loyalty to Miss Addams's cruets had been
taken.
The walls of the drawing-room were trophied with the photographs
of former guests; these stood, framed or unframed, in groves on
the mantelpiece (indeed, when Christmas came round with its cards,
it was impossible to open a door without bringing whole castles of
photographs and pasteboard greetings down into the fender); and, ranged
on one special little whatnot between the Nottingham lace curtains
and Millais's framed and glazed supplement of "Little Miss Muffet,"
were Miss Addams's "grand-children"--the offspring of the three or
four gentlemen or ladies who, at one time and another, had left the
boarding-house to get married. About these translated ones something of
the legendary, even of the grandiose, had grown up; and one particular
chair in the dining-room, that on Miss Addams's right hand, was still
known as "Mr. Wellcome's chair."
Public-domain text, read in full here on John Shaqi.
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