Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
"My dear," she broke out, "_don't_ be so absurdly solemn! Try to enjoy
yourself; you'll never be younger than you are now! And I do wish you
wouldn't go about in those sad art-colours always. You look like a
sparrow having a dust-bath. They may be all right for pictures, but it
isn't as if you sat in a frame all day. Good gracious, anybody'd think
you were eighty to see you sometimes! Laugh and the world laughs with
you, my dear. Come inside, and don't be silly; we're going to have
great fun."
But again Amory turned away.
More than once she had had a wild wonder whether that trip to Paris had
not had something to do with her aunt's preposterous rejuvenescence;
but no, it was hardly possible that while she herself had wandered
in the museums Aunt Jerry had given herself to secret and wicked
pleasures. No, it was the boarding-house and the young musical society
again. That clever advertisement had really made Aunt Jerry think
that she was young.... It did not occur to Amory that perhaps these
ancient ones, of forty or fifty or more, had earned a rest. It did
not occur to her that life might have bruised and scarred them, and
that they laughed a little loudly and stridently for fear of worse,
and that there was hardly one of them whose eyes had not rested on
sadder and more sordid and tragic scenes than her own had ever seen.
She saw them, as it were, in the flat, as a mere human pattern, and
when she was bored with it, Glenerne was a thing to be shut up like
one of its own photograph albums. Their manners offended her, and she
inquired no further.... In the meantime, however, flirtatious little
Mrs. Deschamps would sit in a corner with anybody, and her aunt entered
into an engagement at an age when she really might have been expected
to be thinking of serious things, and the whatnot in the corner, with
its photographs of Glenerne's grandchildren, was a source of mirth that
seemed never to run dry, and if Amory must be misunderstood, well, it
was better to be misunderstood than to be understood by these terrible
people.
Amory went to her room and took down a volume of Pater.
But she had hardly opened the book when there came a tap at her door,
and, in response to her "Come in," her aunt's middle-aged fiancé
entered.
Public-domain text, read in full here on John Shaqi.
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