Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Stan was quite right in supposing that the Cosimo Pratts wished
to forget all about the Ludlow experiment that had disturbed the
Shropshire country-side a year or more before, but he was wrong in
the reason he assigned them. They were not in the least ashamed of
it. As a stage in their intellectual development, the experiment had
been entirely in its place. Especially in Mrs. Pratt's career--as an
old student of the McGrath School of Art, a familiar (for a time) with
Poverty in cheap studios, the painter of the famous Feminist picture
"Barrage," and so forward--had this been true. Cosimo, in "The Life
and Work of Miss Amory Towers," a labour to which he devoted himself
intermittently, pointed out the naturalness and inevitability of the
sequence with real eloquence. Step had led to step, and the omission of
any one step would have ruined the whole.
But nobody with work still in them lingers long over the past. They
had dropped the task of regenerating rural England, or rather had
handed it over to others, only when it had been pointed out to them
that capacity so rare as theirs ought to be directed to larger ends.
One evening there had put in an appearance at one of the Ludlow
meetings--a meeting of the Hurdy-gurdy Octette, which afterwards gave
instrumental performances with such success at Letchworth, Bushey and
Golder's Green--Mr. Strong, the original founder and present editor of
the "Novum Organum," or, as it was usually called, the "Novum." Mr.
Strong, as it happened, was the man whom the scatter-brained Stan had
met at The Witan, and of whom he had expected that impossibility of any
man whomsoever--an admission that he did not know what he was talking
about. At that time Mr. Strong had been perambulating the country with
a Van, holding meetings and distributing literature; and whatever Mr.
Strong's other failings might have been, nobody had ever said of him
that he did not recognize a good thing when he saw it. The Cause itself
had served as an introduction between him and Cosimo; it had also been
a sufficient reason for his inviting himself to Cosimo's house for a
couple of days and remaining there for three weeks; and then he had
got rid of the Van and had come again. He was a rapturous talker, when
there was an end to be gained, and he had expressed himself as strongly
of the opinion that, magnificent a field for the sowing of the good
seed as the country-side was, there was simply stupendous propaganda
to be done in London. He knew (he had gone on) that Mrs. Pratt would
forgive him (he had a searching blue eye and an actor's smile) if he
appeared for a moment to speak disparagingly of what he might call the
mere graces of the Movement, (alluring as these were in Mrs. Pratt's
capable and very pretty hands); it was not disparagement really; he
only meant that these garlands would burgeon a hundred-fold if the
stern and thankless work was got out of the way first. Mr. Strong had
Public-domain text, read in full here on John Shaqi.
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