Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Perhaps the satiny upper arm decided his next action. Once before
he had made its plaster facsimile serve his turn, and on the whole
he would have preferred to be able to do so again; but even had that
object not been out of reach on the wall and its original not eighteen
inches away at the sofa's end, three hundred pounds a year in jeopardy
must be made surer than that. He would have given a month's screw could
Cosimo have come in at that moment. He actually did give a quick glance
in the direction of the door....
But no help came.
Damn it----!
The next moment he had kissed that satiny surface, and then, gloomily,
and as one who shoulders the consequences of an inevitable act, stalked
away and stood in the favourite attitude of Mr. Brimby's heroes under
great stress of emotion--with his head deeply bowed and his back to
Amory. There fell between them a silence so profound that either became
conscious at the same moment of the soft falling of rain on the studio
roof.
Then, after a full minute and a half, Mr. Strong, still without
turning, walked to the table on which his hat lay. Always without
looking at Amory, he moved towards the door.
"Good-bye," he said over his shoulder.
There was the note of a knell in his tone. He meant good-bye for ever.
All in a moment Amory knew that on the morrow Cosimo would receive
Edgar Strong's formal resignation from the "Novum's" editorial chair,
and that, though Edgar might retain his hold on the paper until his
successor had been found, he would never come to The Witan any more. He
had called Mr. Prang a whole-hogger, but in Love he himself appeared to
be rather a whole-hogger. He had all but told her that to see her again
would mean ... she trembled. The alternative was not to see her again.
His whole action had said, more plainly than any words could say,
"After that--all or nothing."
She had not moved. She hardly knew the voice for her own in which she
said, still without turning her head, "Wait--a minute----"
Mr. Strong waited. The minute for which she asked passed.
"One moment----," murmured Amory again.
At last Mr. Strong lifted his head.--"There's nothing to say," he said.
"I'm thinking," Amory replied in a low voice.
"Really nothing."
"Give me just a minute----"
For she was thinking that it was her face, nothing else, that had
launched him thus to the door. For a moment she felt compunction for
its tyranny. Poor fellow, what else had he been able to do?... Yet
what, between letting him go and bidding him stay, was she herself to
do? At his touch her heart had swelled--been constricted--either--both;
even had she not known that she was a pretty woman, now at any rate she
had put it to the proof; and the chances seemed real enough that if he
turned and looked at her now, he must give a cry, stride across the
studio floor, and take her in his arms. Dared she provoke him?...
Public-domain text, read in full here on John Shaqi.
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