Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Never such a party had been given at Glenerne. The smell of the cigars
and the brandy filled the air like some incense burned before the god
of the naughty World; more witty things were said by loosened tongues
than their owners could ever hope to remember. Fun? Oh, there was fun
when Mr. Wellcome himself took matters in hand!... "Now, who says
a flutter?" he said by and by, shuffling one of the packs of cards
as only Mr. Wellcome could shuffle cards. "For love, Nellie--and
forfeits----" But Nellie (Mrs. Deschamps) had already been fluttered
by the Kissing Bee, and was in a mood too softened for cards; and, for
fear the brandy should have affected anybody, another tray with strong
coffee was passed round by Omar K, the red-fezzed boy from Smyrna with
the face of the hue of a chocolate "shape." They kept it up late; for
once the "lights out at eleven" rule was suspended; and even Amory sat
up quite a long time after she might without singularity have gone to
bed. At last Mr. Wellcome rose. He for one had enjoyed himself just
fair-to-middling, he said. The mats and rugs were left where they were,
pushed back against the walls. Quite twenty voices downstairs in the
hall sang that Mr. Wellcome was a jolly good fellow, and what remained
of the Spanish brandy was brought downstairs for the two policemen who
(nobody knew how) were presently discovered, smiling and with their
helmets in their hands, just within the front door.--"Best respects,
sir," said one of them, and "Many of 'em," said the other.
And so said all the rest.
III
THE FASHION STUDIO
The Fashion Studio that employed Miss Dorothy Lennard had originally
been, and in a sense was still, the enterprise of a small printer; and
Dorothy had been what Amory called "lucky" to get there. Had Amory
herself wanted a post as an apprentice to fashion-drawing, she would
have had to fill her folio with "specimens," to sit with half a dozen
other applicants in a waiting-room until it had pleased some manager or
proprietor to touch a bell and to give orders that the prettiest one
was to be admitted, and then, on her work or prettiness or both, to
take her chance. But Dorothy had been enabled to skip all that. Even
more than the wealthy Lennards and Taskers who stood in the background
behind her, a certain blindness to higher things had given Dorothy an
advantage from the start. She had, for example, quite unprincipled ways
with men. Almost any one woman (Dorothy was in the habit of reasoning
modestly) could turn any one man round her finger if she went the right
way about it; and it seemed to her that the men knew that too. If they
didn't, why were they always trying to dodge the individual issue, and
to say such fearfully solemn things about the abstraction of Womanhood
itself? Dorothy thought she saw the reason. It was that, in the lump,
men could usually manage them. It was in detail that they hadn't a
chance.
Public-domain text, read in full here on John Shaqi.
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