Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Whatever Amory might think about it, the other girls too thought
Dorothy lucky to have had a real art-training. They had not been to the
McGrath.... And, quite apart from the _cachet_ this gave her, Dorothy
herself certainly had a way with her. Miss Smedley, for example, was
as old as Dorothy, but Miss Smedley, for no reason that could be
described, always seemed to move in an atmosphere of kindlily-bestowed
pity; but nobody would have dreamed of pitying Dorothy. It was
very much the other way. As if they had known her methods with
sleeping-partners (which they did not), they looked up to her. Her
sayings were repeated, her mistakes covered up for her; and even Miss
Porchester never gave her "one for herself." She was the only one of
the girls so exempted.
One morning at about the time Miss Geraldine Towers became engaged to
Mr. Massey, the fashion-studio was able at last to draw a long breath
of relief and to tell itself that the worst of the half-yearly rush was
about over. The last page of the last Summer Catalogue had been sent
off to Endell Street, and for a month or two only the normal trickle of
odd jobs would be coming in. Even the rule about not moving your head
as you talked had been relaxed, and only one cloud marred the general
sense of release--the certainty that some of the girls would be "given
a holiday" until the next rush began in the Autumn. The girls were
discussing this that afternoon. Miss Porchester had gone to Endell
Street; fat Miss Benson, her second in command, had passed through
the adjoining sitting-room half an hour before, and was guessed to be
talking on the stairs with Mr. Mooney, of Hallowell's Handkerchief
Department; and Dorothy also intended to take the risk of Miss
Porchester's inquiring for her and to fly off presently to Cheyne Walk.
"Oh, _you_ needn't worry, Smithie," said Miss Umpleby, her chair tilted
back so that her primrose hair and clasped hands rested against the
coats and jackets on the wall. "They always want somebody to run about
and be useful. Hilda and I'll be the ladies till August. We shall come
back again with the Furs."
Hilda Jeyes had her elbows on the table; she was munching an apple.
"It all comes of our being kept at the one thing, over and over again,"
she declared. "Look at me: what am I? A Camisole Specialist! Why, if I
was to be set to do Damask, or Mourning, or Boots, like Benny, I should
no more know where to begin than I could fly! If only that girl on the
_Daily Spec_ would die! I'd be after her place in two twos, I promise
you!"
"They never die when they're on newspapers," Miss Umpleby remarked,
with the detached air of one who reminds her hearers of a well-known
fact in mortality statistics. "Splendid thing for the health. I wonder
the doctors don't prescribe it."
"And when they get married they stick to their jobs just the same,"
another girl commented. (To be on the staff of a newspaper, it may be
said, is the prize of the fashion-artist's profession.)
Public-domain text, read in full here on John Shaqi.
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