Gray youth: The story of a very modern courtship and a very modern marriage — John Shaqi
Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Amory liked people to be one thing or the other; that was the real
reason why she loathed and abhorred Glenerne. She had had ripping times
amid the naphtha-lights of the Saturday night street-markets and at
Bank Holiday merry-go-rounds and cocoanut-shies; and, of course, when
Van Eeden on Dreams came up for discussion, or Galton on Heredity, or
Pater on the Renaissance, or the clear-eyed Weiniger on the Relation
of the Sexes, she was again entirely at home. On the heights or in the
depths she felt the real throb of Humanity's heart. But those dreadful
middle grades! Those terrible estate-agents and booking-clerks and
bank-cashiers and brewers' travellers of whom the world seemed to be
so full! As so many phenomena in the science of vision--solid objects
for colour to possess and light to fall upon--she admitted they had
their uses; but she was entirely uninterested in them otherwise. Of all
the fine things Cosimo had done in the past, she thought he had done
nothing finer nor more full of profound meaning than when he had once
given a crossing-sweeper a shilling, taken the broom from his hand,
and for an hour swept the crossing himself. It took true nobility to
do that. Mr. Geake could not have done it, nor Mr. Wellcome, nor the
egregious young man in the green knitted waistcoat who had advised
her to take care of her eyes, and had then told her that the Crystal
Palace was a "funny place to go for a squeeze"--Mr. Edmondson.
All talking at once, Amory and her half-dozen guests trooped back up
the narrow stairs.
"Well, here we are----" they announced themselves.
"Donkey's years since we've seen you, Amory----"
"How are you?"
"How's Life and Work?"
"This is Bielby, Amory ... don't suppose you know him ... we just
brought him along----"
"You should see the view from here in the day-time, Bielby ...
stunning!----"
"Chuck your things down ... mind Laura's guitar----"
They threw their hats and coats and cloaks into the window-seat, and
filled the room as they stood talking, laughing and straightening their
hair. Amory asked Cosimo for a match, and approached the two candles
that stood in the brass sticks on the gate-legged table.
"Oh, don't light up!" three or four broke out at once; "the firelight's
so jolly!"
"No?"
"Positively sinful to spoil this effect!----"
"Pull the chairs up round the fire--the floor'll do for me----"
"Me too----"
"I'll lean against your knees, Dorothy----"
"Oh, now I've left my handkerchief in my pocket! Lend me yours,
Cosimo----"
"Well, Amory----!"
They settled about the hearth, Cosimo Pratt with his shoulder-blades
against Dorothy's knees, Walter Wyron propping up Laura Beamish, Katie
Deedes and Mr. Bielby on chairs, Dickie Lemesurier with the firelight
shining on her peacock-feather yoke at one end of the fender, Amory
curled up against the coal-box at the other.
"I say--Amory's hair!----" Walter Wyron broke rapturously out, as Amory
settled into her place.
Public-domain text, read in full here on John Shaqi.
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