Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
The smoking of the chimney had blackened the ceiling, which bellied
downwards in the middle like the under side of a giant's mattress; and
it had also dimmed the surfaces of such of the brighter objects of
furniture as the cheap working-room contained--the picture-glasses, the
gate-legged table, a bowl full of dead daffodils, and some crockery.
But Miss Lennard and Miss Towers frequently said that it was not for
the inside of the room, but for the sake of the views from the long
lattice in front, that they had chosen the place. These were for ever
changing and charming. From a standpoint just within the door you
looked over the Embankment Gardens and saw, through trees, lighters
following the bullying tugs, or barges, their sails reefed to the
sprits, resembling tall attenuated figures in the act of grasping
punting-poles. Placing yourself in the middle of the worn floor you
saw, crossed out as it were by the middle lattice, the Chelsea Jelly
Factory and other buildings across the river. And standing quite by the
fireplace you saw the lacy lines of the Suspension Bridge and the low
grey-green trees of Battersea Park. As the chimney emitted more yellow
curds, Miss Lennard, with an "Ugh!" opened the middle section of this
window. The papers among which she had been searching were instantly
whisked across the floor.
"Bother the thing!" she muttered. "How stupid if it's at Oxford Street
all the time!... I say, Amory, have you seen that Doubleday thing? You
know--the Chemisettes. I was sure I'd left it here."
The door had rattled again, and Miss Amory Towers had entered.
Miss Towers did not answer at once. From a brown pudding-bowl of
a hat with a silken cord round it, she drew out two enamel-headed
hatpins, and hung the hat on a hook. Its removal showed her rich
hair no longer in a plait, but wreathed round and round her head and
interplaited until it resembled a vividly painted fir cone. She wore a
peacock's-neck-coloured blouse with several necklaces of iridescent
shells at the collar; a roughened leather belt encircled the waist that
would have been large had she herself not been so small; and, while the
breeze from the open window rippled in Dorothy's tea-coloured raincoat,
it hardly stirred the folds of Amory's heavier skirt of dusty-looking
brown velvet.
She moved to the window. "I haven't touched your things," she said.
Then she stood, half leaning against the embrasure, gazing moodily
across the river.
Public-domain text, read in full here on John Shaqi.
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