Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Cosimo should certainly not be a girl who would allow Cosimo to grow a
beard....
Amory went into Cosimo's studio one night, after a long walk through
Wandsworth, past Clapham Common, and back through the Old Town to the
bus at Victoria, in order to see whether there were any letters for
him. There were none, and she sat down on the edge of his bed, where
she had sat that morning when she had come to tell Cosimo that she was
moving into Cheyne Walk at once. Cosimo's studio was on the ground
floor, at the back of a block. Amory had not lighted the gas. Somewhere
away across a yard somebody was going to bed with a blind up, and the
distant incandescent shed a raw ugly light. It shone through a narrow
side-window of Cosimo's studio, making quite a bright patch on the
floor at the foot of his bed. Amory watched it dully, trying to summon
up force to get up and go home.
Aching as she was for Cosimo's return, she was still a little
displeased with him. To be sure, he told her, in those rather
perfunctory letters, how horribly he missed her, but somehow she did
not feel that his sense of loss was quite as great as her own. She
resented his staying so long away. It hardly rose to her conception
of their past beautiful friendship. Of course his uncle was dead, but
his uncle would still be dead if Cosimo stayed away another couple of
months, making four in all, and Amory still waiting and waiting....
Well, he mustn't think that she was going to ask him to come back,
though he never returned at all. She would continue to forward his
letters, adding a patient little note of her own once in a while.
Indeed, had it not been that Cosimo understood her art, she would
hardly have done as much as that for him....
Then, still sitting on the edge of Cosimo's deserted bed, she
remembered the richly comical interpretation that Dorothy and the
plumber, the chimney-sweep and Glenerne, had put upon Cosimo's
wellnigh perfect understanding of her art. And that recollection led
to another--that of the "stage-kiss" Cosimo had given her when Mr.
Wellcome had thrust them into one another's arms. She remembered that
she had been--she hardly knew how to put it--say a little disappointed
in Cosimo about that. Hitherto she had not asked herself the reason of
this, but she thought she saw it now. Cosimo, for once, had not done
the proper thing at all. The proper way to fool those inquisitive,
stupid people to the top of their bent would have been to give her a
_real_ kiss, not a mock one. As likely as not that clumsy caress had
seemed the shyness of a real lover. No; the proper way to throw dust in
their eyes would have been to take her face deliberately between his
hands, turn it up, and plant the ridiculous emblem fairly and squarely
on her mouth. _Then_, when they had found themselves alone again, they
could have laughed together at Glenerne and its folly. Cosimo had not
played the game.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account