Greasy luck : $b A whaling sketch bookGrant, Gordon
History
Greasy luck : $b A whaling sketch book
Grant, Gordon
Whaling; Whaling in art
Cutting in was always done on the starboard side of the ship, and if
possible, to windward, so that wind pressure on the sails tended to
lift the side of the vessel and sustain the great weight of blubber
coming aboard.
The sketch shows the cutting stage rigged out, the huge tackle made
fast to the jaw, and the mates on the stage disjointing it with their
spades.
The jaw had no commercial value whatever. When a particularly large one
was taken, stripped, and dried, it made a picturesque gateway for the
captain’s garden at home, and the great teeth were used by the crew for
their “scrimshaw” work.
[Illustration]
_THE JUNK_
The jaw having been removed, the junk was then taken off and brought on
deck to be cut up and tried out.
The junk was very rich in spermaceti--used by the manufacturers of
cosmetics and spermaceti candles.
While the whale lay alongside, the neighbouring waters were infested
with a multitude of voracious sharks, which, if the cutting in were not
done without delay tore the blubber to shreds.
During cutting in the men on the stage made periodical onslaughts on
these robbers with their spades, taking a characteristically seamanlike
satisfaction in seeing the wounded sharks instantly set upon and
devoured by their fellows.
[Illustration]
_CUTTING IN_
The captain with the first and second mate, usually was on the stage,
taking an active part in cutting in.
The windlass crew were forward, heaving on the tackle which was
suspended from the cap of the lower mainmast.
As they hove the blanket rose higher and higher, the cutters plied
their spades, and the whale rolled over and over.
[Illustration]
_THE BLANKET PIECE COMING ABOARD_
When the tackle was “block and block,” the third mate or one of the
boatsteerers, with his “boarding knife,” made a hole for the second
tackle.
A heavy blubber hook, or the eye in the long strop of the block in the
foreground was pushed through and secured on the outside by a heavy
wooden pin or toggle.
The second tackle was hove taut to take up the weight and the upper
piece sliced off.
[Illustration]
_LOWERING INTO THE HOLD_
As each piece was cut off, it was lowered down the main hatch into the
blubber room and there cut into “horse pieces,” three or four feet long
and six or eight inches wide.
[Illustration]
_MINCING_
The horse pieces were tossed back on deck, where they were placed on a
long plank set on tubs and “minced” into “books” or “bible pieces” with
large two-handled knives.
The term “books” arose from the fact that the blubber was not cut quite
through, and a minced piece bore a rough resemblance to the leaves of a
book.
[Illustration]
_TRYING OUT_
Day and night the try works were kept going, until all the blubber had
been rendered.
Dense black smoke by day, and illuminated sails and rigging at night
disclosed to passing ships the proximity of a whaler. Merchant sailors
claimed they could smell a “spouter” over the horizon.
Public-domain text, read in full here on John Shaqi.
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