Band directors -- United States; Bands (Music) -- United States
The boy’s ambition was fired again when Patrick Gilmore’s band came to
play in Indianapolis. Herbert met them at the station and, standing
first on one foot then on the other, tried to get enough courage to ask
to carry the great Gilmore’s bag to the hotel. Failing in this he sat
in a front seat at the concert where he could see every move of the
musicians as well as marvel at their technique. Then and there he vowed
that some day he would play in Gilmore’s band, the only traveling band
in the country at that time.
Still thinking of Gilmore the next morning, he was up early to practice
when a call from his father interrupted, “A letter for you, Herbert.
Come on down!” Will, the oldest son who had remained in business in
Toronto, had written glowingly of a job he had found for Herbert in
a store. Mr. Clarke was sure that this was a fine opportunity for
his young son, and he cited instances of many wealthy and respected
citizens who had started with similar jobs. With visions of wealth and
prestige, Herbert left home to try for a business career.
Upon his arrival his hopes were a bit dashed when he learned that he
would be paid only ten dollars a month. So that he would not have to
pay any lodging, his brother Will allowed him to sleep in the upstairs
room of his boathouse. The boy was always cold, but he was too proud
to ask for help from home. When summer came, he began playing with the
Regimental Band and that trebled his income.
Herbert began to doubt that his career was business as his music
interest grew. He said, “There is something that makes me restless and
only music will overcome it.” One day at the store he was discovered
working on cornet solos and drawing staves on brown wrapping paper.
For this he was reprimanded by his manager and later lectured by Will.
Before he could be fired, however, a telegram came for him.
He had received an offer to play at English’s Opera in Indianapolis
at fifteen dollars a week. This he accepted with alacrity. Back in
Indianapolis he found that his income was sufficient for him to buy
the books and music he wanted for the cornet. He studied all the music
magazines and _Orban’s Method_ faithfully, and worked hard trying to
devise a method of his own. He sat where he could watch good cornetists
at concerts then went home to practice for hours trying to imitate
them. Clarke, in writing of these years, said, “No one will ever
know the many obstacles I had to overcome in the early part of my
career.” But his love for the cornet kept him at work in spite of many
disappointments.
The next year at the age of eighteen, Herbert won the cornet
championship at the state band contest in Evansville, Indiana. Henry
Dustin, celebrated instrument maker, presented him with a gold-plated
and elaborately engraved baby cornet with an oval bell. Six and a half
inches long and five inches high, this was the smallest cornet ever
made, and it could actually be played.
Public-domain text, read in full here on John Shaqi.
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