Small wonder, then, that a glamour of mysticism remains about the storm and its birth. Man finds himself in the presence of a power beyond his comprehension. Of the various elements of nature, the wind, the sea and the storm are more than ever the realm of fancy and awe. One often wonders at many other ancient myths; but there seems nothing surprising in the Grecian fancy that the winds were the spirit slaves of Æolus; or in the Arabian thought, that storms were but the battles of wonderful genii, whose weapons were fire, water, and their own powerful breath. In the crash of the thunder the Arab heard their terrible strokes. The Northman beheld giants, contending now with each other, now with the giants of frost or of fire; now resting a moment in their cavern home--now chasing the clouds like frightened sheep from their realm of Mistheim. Some day all these powers would be arrayed in battle with the gods themselves, and Ragnarok, or universal chaos would follow. God made man in his own image; man has ever since endeavored to make all things in his own. So have the winds become personified in every age and land. Charles Kingsley has given us a beautiful picture of the “air mothers,” and the part they play in the realm of nature. Compare the ancient with the modern. We now know the laws and the work of the winds; but we have not found a better manner of picturing them. They are still the beautiful spirits of the air; the Peris of the upper deep, thoughtless in life, weeping repentant tears in the hour of their death. “Who are these who follow us softly over the moor in the autumn evening? Their wings brush and rustle in the fir boughs, and they whisper before and behind us, as if they called gently to each other, like birds flocking homeward to their nests. “The woodpecker on the pine stems knows them, and laughs aloud for joy as they pass. The rooks above the pasture know them, and wheel around and tumble in their play. “The brown leaves on the oak-tree know them, and flutter faintly, and beckon as they pass. In the chattering of the dry leaves there is a meaning, and a cry of weary things longing for rest. “‘Take us home, take us home, you soft air-mothers, now our fathers, the sunbeams, are grown dull. Our green summer beauty is all draggled, and our faces are grown wan and thin; and the buds, the ungrateful children whom we nourished, thrust us off from our seats. Waft us down, you soft air-mothers, upon your wings, to the quiet earth, that we may go to our home, as all things go, and become air and sunlight once again!’ “The bold young fir seeds know them, and rattle impatiently in their cones. ‘Blow more strongly, blow more fiercely, slow air-mothers, and shake us from our prisons of dead wood, that we may fly and spur away northeastward, each on his horny wing. We will dive like arrows through the heather, and drive our sharp beaks into the soil, and rise again, as green trees, toward the sunlight, and spread out lusty boughs.’