Great Men and Famous Women. Vol. 3: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
History
Great Men and Famous Women. Vol. 3: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
Biography
Theirs to make bricks without straw; his a high place in the glorious
procession that with gorgeous banners and glittering emblems, with clash
of music and solemn chant, winds its shining way to dedicate the
immortal edifice their toil has reared. Theirs the leek and the garlic;
his to sit at the sumptuous feast. Why should he dwell on the
irksomeness of bondage, he for whom the chariots waited, who might at
will bestride the swift coursers of the Delta, or be borne on the bosom
of the river with oars that beat time to songs? Did he long for the
excitement of action?--there was the desert hunt, with steeds fleeter
than the antelope and lions trained like dogs. Did he crave rest and
ease?--there was for him the soft swell of languorous music and the
wreathed movements of dancing girls. Did he feel the stir of
intellectual life?--in the arcana of the temples he was free to the lore
of ages; an initiate in the society where were discussed the most
engrossing problems; a sharer in that intellectual pride that centuries
after compared Greek philosophy to the babblings of children.
It was no sudden ebullition of passion that caused Moses to turn his
back on all this, and to bring the strength and knowledge acquired in a
dominant caste to the life-long service of the oppressed. The
forgetfulness of self manifested in the smiting of the Egyptian shines
through the whole life. In institutions that moulded the character of a
people, in institutions that to this day make easier the lot of toiling
millions, we may read the stately purpose.
Through all that tradition has given us of that life runs the same grand
passion--the unselfish desire to make humanity better, happier, nobler.
And the death is worthy of the life. Subordinating to the good of his
people the natural disposition to found a dynasty, which in his case
would have been so easy, he discards the claims of blood and calls to
his place of leader the fittest man. Coming from a land where the rites
of sepulture were regarded as all-important, and the preservation of the
body after death was the passion of life; among a people who were even
then carrying the remains of their great ancestor, Joseph, to rest with
his fathers, he yet conquered the last natural yearning and withdrew
from the sight and sympathy of men to die alone and unattended, lest the
idolatrous feeling, always ready to break forth, should in death accord
him the superstitious reverence he had refused in life.
"No man knoweth of his sepulchre unto this day." But while the despoiled
tombs of the Pharaohs mock the vanity that reared them, the name of the
Hebrew who, revolting from their tyranny, strove for the elevation of
his fellow-men, is yet a beacon light to the world.
[Signature of the author.]
DAVID, KING OF ISRAEL[3]
By MARGARET E. SANGSTER
(1074-1001 B.C.)
[Footnote 3: Copyright, 1894, by Selmar Hess.]
[Illustration: David Rex. [TN]]
Public-domain text, read in full here on John Shaqi.
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