Great Men and Famous Women. Vol. 5: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History — John Shaqi
Great Men and Famous Women. Vol. 5: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
History
Great Men and Famous Women. Vol. 5: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
Biography
It may, indeed, be
considered hard luck for him that he stood between two such men, for
they have necessarily damaged his reputation by comparison. Xenophon's
portrait of Socrates is quite independent, and probably historically
truer than that of Plato; but the sage lives for us in Plato, not in
Xenophon. The Retreat of the Ten Thousand, and the wars of Epaminondas
were far more brilliant than the operations of the Peloponnesian War.
Yet, to the scholar, a raid in Thucydides is more than a campaign in
Xenophon. For neither is his style so pure as that of either of his
rivals, nor is his enthusiasm the same. We feel him always a polished
man of the world--never the rugged patriot, never the rapt seer. He
seems, too, to lack impartiality. He lavishes praise upon Agesilaus, a
second-rate man, while he is curt and ill-tempered concerning
Epaminondas, the real genius of the age. It is more than likely that he
has colored his own part in the famous "Retreat," in glowing colors.
His hereditary instincts lead him to approve of autocrats as against
republics, Spartan discipline as against Attic freedom. Yet in himself
he has shown a striking example how the latter could appreciate and
embrace the former. As the simplest specimen of pure Attic prose he will
ever be paramount in schools, neglected in universities--the recreation
rather than the occupation of mature scholars. He is a great worthy, a
man of renown; "nevertheless, he did not attain unto the first
three"--the two masters of his own day, and the colossal Demosthenes.
[Signature: J. Pentland Mahaffy.]
THE GRACCHI
Extracts from "Caesar, a Sketch," by JAMES ANTHONY FROUDE, LL.D.
(164-133, 153-121 B.C.)
[Illustration: The Gracchi.]
Tiberius Gracchus was born about the year 164 B.C. He was one of twelve
children, nine of whom died in infancy, himself, his brother Caius, and
his sister Cornelia being the only survivors. His family was plebeian,
but of high antiquity, his ancestors for several generations having held
the highest offices in the Republic. On the mother's side he was the
grandson of Scipio Africanus. His father, after a distinguished career
as a soldier in Spain and Sardinia, had attempted reforms at Rome. He
had been censor, and in this capacity he had ejected disreputable
senators from the Curia; he had degraded offending Equites; he had
rearranged and tried to purify the Comitia. But his connections were
aristocratic. His wife was the daughter of the most famous of them,
Scipio Africanus the Younger. He had been himself in antagonism with the
tribunes, and had taken no part, at any time, in popular agitations.
[Illustration: The Mother of the Gracchi.]
Public-domain text, read in full here on John Shaqi.
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