She had the form of a trial, and the guillotine quickly followed it. Her fortitude did not forsake her at any time, and she died as firmly as any martyr ever went to the stake. Her beauty and her heroism excited the sympathy of the crowd, but they could not save her. She was a mistaken heroine, but her courage and fortitude were sublime. [Signature: William S. Adams.] MADAME ROLAND[7] [Footnote 7: Copyright, 1894, by Selmar Hess.] By ELLA WHEELER WILCOX (1754-1793) [Illustration: Madame Roland.] France has produced many remarkable women; perhaps no other country can boast such an array of illustrious names; they shine from the pages of French history like fixed stars from the firmament. Among them, down the long vista of a hundred years, brilliant and beautiful, shines the name of Madame Roland, the spirit of the great French Revolution personified. Striking beauty, great genius, and wonderful courage in the hour of martyrdom, rendered this woman an unusual character in an unusual epoch. Surrounded by deceit, she was honest and fearless. In the midst of immorality and license, she was pure, and brave enough to resist temptation which came from without and from within, and she went to the scaffold with an untarnished name and soul. Manon Philipon, as Madame Roland was known in her childhood, was born in Paris in the year 1754. Her father was a worker in enamel, who thrived well enough in his art when he was content to toil at it, but a restless spirit of speculation led him into ventures which brought him neither profit nor renown. Manon's beauty was a direct inheritance from both father and mother. Gratien Philipon was a handsome man, and vain and frivolous as he was handsome; but his beautiful wife was serious-minded, and much the superior of her husband in intellect as well as morals. Of seven children born to this couple, only one lived--Manon, the subject of our sketch--who inherited the combined beauty of both parents, with the rectitude and high ideals of the mother. But there lies no explanation of inheritance from either father or mother to make us understand how the child of these common people became at nine years of age a student of Plutarch, Tasso, and Voltaire, and a philosopher at the age of eleven. It requires a deeper law than that of heredity to explain these things. At ten, Manon developed a strongly religious tendency, which was fostered, no doubt, by daily studying the "Lives of the Saints." While reading the accounts of martyrs who had died at the stake rather than resign their faith, the child often regretted that she had not lived in those "good old days," so happy a thing it seemed to her to die for one's principles. This privilege was granted her in after-years, strangely enough; and she proved as courageous in reality as she had in childhood imagined herself capable of being under similar circumstances.