Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
History
Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
Biography
When he arrived at Florence he was charmed with the appearance of the
city; but his whole mind was absorbed in the works of Leonardo da
Vinci and of Michael Angelo, the rival artists of the age. As his stay
was to be short, he did not enter upon laborious occupation. His
mornings were passed in the reveries of his art; his evenings in the
gay and fascinating society of Florence, where the fame of Perugino's
beloved pupil had already reached. The frescos at Siena were spoken
of; and the beautiful countenance and graceful deportment of Raphael
won him the friendship of distinguished men. Taddeo Taddei, the
learned friend of Cardinal Bembo, solicited him to reside in his
house; he consented, and in return for the courtesy painted for him
two pictures, in what is called his first style, that of Perugino.
One evening he retired to his couch at a late hour. He had been the
hero of a _fête_, and love and beauty had heedlessly scattered their
flowers in the path of the living Adonis. In vain he sought a few
hours of slumber. He had quaffed the juice of the grape, emptying
goblet after goblet, till his beating pulse and throbbing temples
refused to be quieted. He started from his couch and approached the
lattice; the heavens had changed their aspect, the still serenity of
the evening had passed away, and the clouds were hurrying over the
pale and watery moon. Nothing was heard but the low sighing of the
wind, and now and then a sudden gust swept through the lattice, and
threatened to extinguish the taper which was burning dimly on the
table. A slight noise made him turn his eyes, and he perceived a note
that the wind had displaced. He hastily took it up. It was Perugino's
handwriting. He cut the silken cord that fastened it, and read:
"On me, my beloved Raffaello, devolves the task of informing you of
the events which have taken place at Urbino. May this letter find you
prepared for all the changes of life; a wise man will never suffer
himself to be taken by surprise; this is true philosophy, and the
_only philosophy_ that can serve us! An epidemic has prevailed at
Urbino, and has entered your paternal dwelling. Need I say more? Come
to me, my son, at Perugia, for I am the only parent that remains to
you. Pietro Perugino."
As he hastily arose, a crucifix which his mother had suspended to his
neck at parting, fell from his bosom. Even the symbols of religion are
sacred where the living principle has been early implanted in the
heart. He pressed it to his lips: "Ah!" thought he, "what is the
_philosophy_ of Perugino, compared to the _faith_ of which this is the
emblem?" His thoughts went back to infancy and childhood, and his
grief and remorse grew less intense. He dwelt on the deep and enduring
love of his parents till he felt assured death could not extinguish
it, and that he should see them again in a brighter sphere.
Public-domain text, read in full here on John Shaqi.
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