Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
History
Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
Biography
Having seen the manner of Giorgione, Titian early resolved to abandon
that of Gian Bellino, although well grounded therein. He now,
therefore, devoted himself to this purpose, and in a short time so
closely imitated Giorgione that his pictures were sometimes taken for
those of that master, as will be related below. Increasing in age,
judgment, and facility of hand, our young artist executed numerous
works in fresco which cannot here be named individually, having been
dispersed in various places; let it suffice to say, that they were
such as to cause experienced men to anticipate the excellence to which
he afterward attained. At the time when Titian began to adopt the
manner of Giorgione, being then not more than eighteen, he took the
portrait of a gentleman of the Barberigo family, who was his friend,
and this was considered very beautiful, the coloring being true and
natural, and the hair so distinctly painted that each one could be
counted as might also the stitches in a satin doublet, painted in the
same work; it was so well and carefully done, that it would have been
taken for a picture by Giorgione, if Titian had not written his name
on the dark ground.
Giorgione meanwhile had executed the façade of the German Exchange,
when, by the intervention of Barberigo, Titian was appointed to paint
certain stories in the same building and over the Merceria. After
which he executed a picture with figures the size of life, which is
now in the Hall of Messer Andrea Loredano, who dwells near San
Marcuola; this work represents "Our Lady" in her flight into Egypt.
She is in the midst of a great wood, and the landscape of this picture
is well done; Titian having practised that branch of art, and keeping
certain Germans, who were excellent masters therein, for several
months together in his own house. Within the wood he depicted various
animals, all painted from the life, and so natural as to seem almost
alive. In the house of Messer Giovanni Danna, a Flemish gentleman and
merchant, who was his gossip, he painted a portrait which appears to
breathe, with an "Ecce Homo," comprising numerous figures which, by
Titian himself, as well as others, is considered to be a very good
work. The same artist executed a picture of "Our Lady," with other
figures the size of life, men and children being all taken from
nature, and portraits of persons belonging to the Danna family.
Public-domain text, read in full here on John Shaqi.
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