Great Musical Composers: German, French, and ItalianFerris, George T. (George Titus)
History
Great Musical Composers: German, French, and Italian
Ferris, George T. (George Titus)
Composers
The following biographical sketches were originally published in
America by Mr. George T. Ferris, in two volumes, separately entitled
_The Great German Composers_ and _The Great Italian and French
Composers_. They have achieved the success they deserved: for while we
have whole libraries of books upon the history and technicalities of
music in general, upon musical theories and schools, and upon the
exponents thereof in their artistic capacity, there has been a
distinct dearth of treatises dealing in a brief and popular fashion
with the lives of eminent composers themselves. Now, when music is
"mastered and murdered" in almost every house throughout the length
and breadth of the land, there can be no doubt that compilations of
this kind must be welcome to a very large number--we will not say of
musical students, but of lovers of music. There are, it would be
needless to attempt to prove, great numbers of the music-loving
public, who practically have no facilities towards making acquaintance
with the leading facts in the lives of those men whose compositions
they have such a genuine delight in rendering: to these mainly is such
a book as _Great Composers_ addressed. But, indeed, to every one
interested in music and musicians the volume can hardly fail to be of
interest. In his preface to _The Great Italian and French Composers_,
Mr. Ferris explained that--as was very manifest--"the task of
compressing into one small volume suitable sketches of the more famous
Italian and French composers was, in view of the extent of field and
the wealth of material, a somewhat embarrassing one, especially as the
purpose was to make the sketches of interest to the general
music-loving public, and not merely to the critic and scholar. The
plan pursued has been to devote the bulk of space to composers of the
higher rank, and to pass over those less known with such brief mention
as sufficed to outline their lives, and fix their place in the history
of music."
To _The Great German Composers_ he prefaces a few words which may be
quoted--"The sketches of composers contained in this volume may seem
arbitrary in the space allotted to them. The special attention given
to certain names has been prompted as much by their association with
great art epochs, as by the consideration of their absolute rank as
composers. The introduction of Chopin, born a Pole, and for a large
part of his life a resident of France, among German composers, may
require an explanatory word. Chopin's whole early training was in the
German school, and he may be looked on as one of the founders of the
latest school of pianoforte composition, whose highest development is
in contemporary Germany. He represents German music by his affinities
and his influences in art, and bears too close a relation to important
changes in musical forms to be omitted from this series."
Public-domain text, read in full here on John Shaqi.
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