Great Musical Composers: German, French, and ItalianFerris, George T. (George Titus)
History
Great Musical Composers: German, French, and Italian
Ferris, George T. (George Titus)
Composers
must choose for my guide. Steadfast, I hope, will be my
resolution to persevere, till it shall please the inexorable
Fates to cut the thread.
"Perhaps there may be an amendment--perhaps not; I am
prepared for the worst--I, who so early as my twenty-eighth
year was forced to become a philosopher--it is not easy--for
the artist more difficult than for any other. O God! thou
lookest down upon my misery; thou knowest that it is
accompanied with love of my fellow-creatures, and a
disposition to do good! O men! when ye shall read this,
think that ye have wronged me; and let the child of
affliction take comfort on finding one like himself, who, in
spite of all the impediments of Nature, yet did all that lay
in his power to obtain admittance into the rank of worthy
artists and men.... I go to meet Death with joy. If he comes
before I have had occasion to develop all my professional
abilities, he will come too soon for me, in spite of my hard
fate, and I should wish that he had delayed his arrival. But
even then I am content, for he will release me from a state
of endless suffering. Come when thou wilt, I shall meet thee
with firmness. Farewell, and do not quite forget me after I
am dead; I have deserved that you should think of me, for in
my lifetime I have often thought of you to make you happy.
May you ever be so!"
VIII.
The music of Beethoven has left a profound impress on art. In speaking
of his genius it is difficult to keep expression within the limits of
good taste. For who has so passed into the very inner _penetralia_ of
his great art, and revealed to the world such heights and depths of
beauty and power in sound?
Beethoven composed nine symphonies, which, by one voice, are ranked as
the greatest ever written, reaching in the last, known as the
"Choral," the full perfection of his power and experience. Other
musicians have composed symphonic works remarkable for varied
excellences, but in Beethoven this form of writing seems to have
attained its highest possibilities, and to have been illustrated by
the greatest variety of effects, from the sublime to such as are
simply beautiful and melodious. His hand swept the whole range of
expression with unfaltering mastery. Some passages may seem obscure,
some too elaborately wrought, some startling and abrupt, but on all is
stamped the die of his great genius.
Public-domain text, read in full here on John Shaqi.
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