Great opera stories : $b taken from original sources in old GermanBender, Millicent Schwab
Philosophy
Great opera stories : $b taken from original sources in old German
Bender, Millicent Schwab
Operas -- Stories, plots, etc. -- Juvenile literature
Sir Walter had, all unconsciously, seated himself in the great chair.
His eyes stared moodily ahead. He heard nothing, saw nothing, of all the
fun about him. He was buried in deepest gloom. He had promised Eva that
he would become a poet, a singer, for her sake, and he wished to do so,
but where and how was he to begin? Her father would not allow her to
marry any one but a Master Singer. How could he become a Master Singer
in one day?
While these thoughts passed through the young knight's mind, young David
stood watching. Suddenly he shouted:
"Now begin!"
Walter gave a jump.
"Eh, what?" he stuttered.
"Begin the song," said David. "That's what the marker says, and then you
must sing up. Don't you know that?"
Sir Walter shook his head. He knew nothing.
"He's a stupid fellow for all his fine clothes," thought David. Then he
said aloud:
"Don't you know that the marker is the man who sits in the curtained box
and marks the mistakes?"
No. Sir Walter did not know that.
"Don't you know that the singer may have seven mistakes, seven,--and no
more?"
Sir Walter did not know that, either.
"Well, well! And you want to become a Master Singer in one day. I've
studied for years and years with Hans Sachs, my master, and I'm not a
Master Singer yet. You have a lot to learn," and David gave a great sigh
and scratched his head with his forefinger. Then, like the kind-hearted
fellow that he was, but with half a thought fixed upon Lena's cakes, he
began to explain. He explained the rules for high tones and low tones,
for standing and sitting, for breathing and ending, for grace notes and
middle notes, for rhyming and tuning; and the more he explained, the
more perplexed poor Sir Walter became. His spirits dropped, dropped,
down to his very boots. Indeed, his discouragement was so great that I
fear he would have been much inclined to run away if at that moment the
Master Singers had not come in.
Veit Pogner, the rich silversmith, came first. And tagging behind him,
talking excitedly, and gesticulating while he talked, was the Marker of
the guild, the town clerk, Sixtus Beckmesser. The rest came after. But
their voices could not be heard. The town clerk was so busy telling
Master Pogner that he hoped to win his daughter on the morrow, and that
he would serenade her that very night, that no one else had a chance to
say anything.
Imagine a short man, a fat man, a man with thin, crooked legs, a mincing
gait, a head too bald, a face too red; in short, a clown of a man. That
was Sixtus Beckmesser. Then think of two squinting eyes fastened upon
Master Pogner's money. That was the secret of the town clerk's love for
pretty Eva. He was as different from Sir Walter as night is from day, as
sorrow is from joy, as falsehood is from truth. But he was determined to
win in the song contest. And he had many powers, good and evil, to help
him, as you shall see.
Public-domain text, read in full here on John Shaqi.
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