Great Porter Square: A Mystery. v. 1Farjeon, B. L. (Benjamin Leopold)
General
Great Porter Square: A Mystery. v. 1
Farjeon, B. L. (Benjamin Leopold)
Detective and mystery stories; Fiction
The other furnishings of the room were in keeping. The kitchen range;
the dresser, with its useful array of plates and dishes, and pots and
pans; the sideboard, with its obstinate drawers, which, when they did
allow themselves to be pulled out, gave way with a suddenness which
brought confusion on the operator; the six odd chairs, one of black
horsehair, bits of which peeped up, curious to see what was going
on; one very sad, of green rep, representing faded gentility; two of
wood and two of cane, and all of different breeds; the sofa, with a
treacherous sinking in its inside, indicative of spasms and rickets; the
solid, useful kitchen table, upon which many a pudding had been made,
and many a slice cut from lodger's joints; the what-not of walnut wood,
utterly useless, despite its pretension; the old-fashioned high-backed
piano, with very little music in it, which had been taken for a debt
from two old maiden sisters who had seen better days, and who had
drifted, drifted, till they had drifted to Great Porter Square; the
extraordinary production in water colours, which might have been a ship
on fire, or a cornfield in a fit, or a pig cut open, or a castle on a
sunlit mountain, or the "last-day," or a prairie of wild buffaloes,
executed by one of Mrs. Preedy's nephews, and regarded as a triumph of
art; the two coloured prints, one of the Queen, the other of Prince
Albert; the six odd volumes of books, all tattered and torn, like the
man in the nursery rhyme;--these were the elegant surroundings which set
the stamp upon Mrs. Preedy's social standing in the neighbourhood of
Great Porter Square.
There were four doors in the kitchen--one leading into the passage which
communicated with the upper portion of the house, another affording
an entrance into Mrs. Preedy's bedchamber, another disclosing a dark
cupboard, apparently about four feet square, but which, being used as a
bedroom by the maid-of-all-work, must have been slightly larger, and the
last conducting to the scullery, which opened into the area, through the
iron grating of which in the pavement above, human nature monotonously
presented itself in a panoramic prospect of definite and indefinite
human legs and ankles. Here, also, glimpses of a blissful earthly
paradise were enjoyed by the various maids-of-all-work who came and went
(for none stopped long at No. 118), through the medium of the baker, and
the butcher, and even of the scavenger who called to collect the dust.
Many a flirtation had been carried on in that dark nook. Beneath area
railings, as in the fragrant air of fashionable conservatories, Love is
lord of all.
Public-domain text, read in full here on John Shaqi.
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