"Have you heard any more mice to-night scratching at the wall in the next house, Mrs. Bailey." "Not a sound, Becky. It's been as quiet as a churchyard." As she left the room, Becky heard the old woman mumbling to herself, with the vanity of a child, "I was pretty once, and I've got the remains now. I'm a good-looking old lady--a good-looking old lady--a good-looking old lady! Becky's a clever girl--I won't forget her." As Becky descended to the kitchen, she heard a newsboy calling out a new edition of the _Evening Moon_. Becky went to the street door and asked the boy if there was anything fresh in the paper about the murder. "A lot," replied the boy; "I've only two copies left, and I thought I could sell 'em in the Square." Becky bought the two copies, and the boy, whose only motive for coming into the Square was to look at No. 119, refreshed himself by running up and down the steps, and then, retreating to the garden railings, almost stared his eyes out in the endeavour to see the ghost that haunted the deserted house. Once more in the kitchen, Becky sat down, and with a methodical air, opened last evening's paper, and read the "Romance in Real Life" which had caused so much excitement. The writer of the narrative would have been gratified had he witnessed the interest Becky took in his clever manipulation of his facts. The most thrilling romance could not have fascinated her as much as this story of to-day, formed as it was out of what may be designated ordinary newspaper material. Not once did she pause, but proceeded steadily on, column after column, every detail being indelibly fixed upon her mind. Only when she came to the concluding words did she raise her head, and become once more conscious of her surroundings. She drew a long breath, and looked before her into the air, as though endeavouring to obtain from invisible space some connecting links between the new ideas formed by this romance in real life. The dominant thought in her mind as she read the narrative was whether she would be able to obtain from it any clue to connect Richard Manx with the murder. Her desire lay in this direction, without reference to its justice or injustice, and she would have felt better satisfied had such a clue been supplied. But she was compelled to confess that, as far as her knowledge of him went in their brief personal intercourse, he was not in the remotest way connected with the crime. Say that this _was_ so--say that he was as little implicated in it as she herself, what, then, was his motive in making his way secretly into the room in which the murder had been committed? Of the fact that he had done so, without having been an eye-witness of it, Becky was morally convinced. What was his motive for this proceeding?