That is manifest in the punishments of the Government. Executions were
public. There was no other means for making the punishment known than by
making the punishment visible. A man paid for trespass against the laws
by disfigurement of his body--by branding on the forehead or palm, by
loss of ear or hand: any one dangerous, or who threatened danger to the
order with such difficulty established, was hung and quartered, or
burned, or beheaded, and his execution was public and a sight not to be
missed. The limbs of malefactors were exposed conspicuously at the
Queen's pleasure.
Cruelty breeds fear, and fear breeds cunning. There was no longer the
shelter of the monastery for the timid or the thoughtful. Accordingly,
craftiness and conspiracy and secrecy prevailed in every corner of the
country.
But there is the contrary side. The man who was able to be independent
of these circumstances of cruelty, rose above them to heights of
bravery and self-reliance and strength, which are almost unknown in more
peaceful times. There could be no monotony, or slackness of endeavour
when a mistake or a careless word, or even a foolish gesture, might
bring with it the consequence of death. A man was braced to continual
effort and unconquerable control, when a moment's lack of either might
mean life's actual ending, or a lifetime's long disgrace. There was no
place for mediocrity. Those were the days of heroes and nonentities;
soaring heroes, crawling nonentities.
Thus the chance which led Ralegh to the French wars, and Ralegh's
readiness to seize that chance (chance by itself does little), were
fortunate in the extreme for the best furtherance of his personality's
development.
Public-domain text, read in full here on John Shaqi.
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