Great Singers, Second Series: Malibran To TitiensFerris, George T. (George Titus)
History
Great Singers, Second Series: Malibran To Titiens
Ferris, George T. (George Titus)
Singers -- Biography
The Childhood of Maria Garcia.--Her Father's Sternness and Severe
Discipline.--Her First Appearance as an Artist on the Operatic
Stage.--Her Genius and Power evident from the Beginning.--Anecdotes
of her Early Career.--Manuel Garcia's Operatic Enterprise in New
York.--Maria Garcia is inveigled into marrying M. Malibran.--Failure of
the Garcia Opera, and Maria's Separation from her Husband.--She
makes her _Debut_ in Paris with Great Success.--Madame Malibran's
Characteristics as a Singer, a Genius, and a Woman.--Anecdotes of her
Generosity and Kindness.--She sings in a Great London Engagement.--Her
Eccentric and Daring Methods excite Severe Criticism.--Her Reckless
Expenditure of Strength in the Pursuit of her Profession or
Pleasures.--Madame Malibran's Attachment to De Beriot.--Anecdotes of
her Public and Private Career.--Malibran in Italy, where she becomes
the Popular Idol.--Her Last London Engagement.--Her Death at Manchester
during the Great Musical Festival
WILHELMINA SCHROeDER-DEVRIENT.
Mme. Schroeder-Devrient the Daughter of a Woman of Genius.--Her Early
Appearance on the Dramatic Stage in Connection with her Mother.--She
studies Music and devotes herself to the Lyric Stage.--Her Operatic
_Debut_ in Mozart's "Zauberflote."--Her Appearance and Voice.--Mlle.
Schroeder makes her _Debut_ in her most Celebrated Character,
_Fidelio_.--Her own Description of the First Performance.--A Wonderful
Dramatic Conception.--Henry Chorley's Judgment of her as a Singer and
Actress.--She marries Carl Devrient at Dresden.--Mme. Schroeder-Devrient
makes herself celebrated as a Representative of Weber's Romantic
Heroines.--Dissolution of her Marriage.--She makes Successful
Appearances in Paris and London in both Italian and German
Opera.--English Opinions of the German Artist.--Anecdotes of her London
Engagement.--An Italian Tour and Reengagements for the Paris and London
Stage.--Different Criticisms of her Artistic Style.--Retirement from the
Stage, and Second Marriage.--Her Death in 1860, and the Honors paid to
the Memory of her Genius
GIULIA GRISI.
Public-domain text, read in full here on John Shaqi.
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