thrilled as the name "Paganini" crept from mouth to mouth. The young professor had already vanished from the room, and was never again seen in the house where he had received so severe a lesson. Paganini repeated his triumphs again the following year, performing in Vienna and the principal cities of Germany, and everywhere arousing similar feelings of admiration. Orders and medals were bestowed on him, and his progress was almost one of royalty. His first concert in Paris was given on March 9, 1831, at the opera-house. He was then forty-seven years old, and Castil-Blaze described him as being nearly six feet in height, with a long, pallid face, brilliant eyes, like those of an eagle, long curling black hair, which fell down over the collar of his coat, a thin and cadaverous figure--altogether a personality so gaunt and delicate as to be more like a shadow than a man. The eyes sparkled with a strange phosphorescent gleam, and the long bony fingers were so flexible as to be likened only to "a handkerchief tied to the end of a stick." Petis describes the impression he created at his first concert as amounting to a "positive and universal frenzy." Being questioned as to why he always performed his own compositions, he replied "that, if he played other compositions than his own, he was obliged to arrange them to suit his own peculiar style, and it was less trouble to write a piece of his own." Indeed, whenever he attempted to interpret the works of other composers, he failed to produce the effects which might have been expected of him. This was especially the case in the works of Beethoven. V.