There are many links revealed both by legend and cult that associate Crete with the country adjacent to the Troad, with Lydia and Caria. And we may tentatively hold to the dogma that Kybele-Rhea, Hipta of Lydia, who appears now as a virgin, now as a mother-goddess, Mā who appears in Caria, but whose chief historic centre was Comana of Cappadocia, were all descended from or specialised forms of an aboriginal Aegean or Anatolian goddess whose cult was also maintained by the Hittites. Of her nature and ritual I may speak later. I am only concerned here with the correctness of the view put forward by Sir Arthur Evans.[92.1] “It is probable that in the Mycenaean religion as in the later Phrygian, the female aspect of divinity predominated, fitting on, as it seems to have, down to the matriarchal system. The male divinity is not so much the consort as the son or the youthful favourite.” If we put aside the suggestion of a matriarchal theory here, the main idea in this judgment accords generally with the evidence that the author of it has himself done most to accumulate and to present to us. It is {93} not insignificant that the earliest type of Aegean idol in existence is that of a goddess, not a god; and in the more developed Minoan period the representations of the goddess are more frequent and more imposing than those of the god; while in the few scenes of cult where the male deity appears in her company, he appears in a subordinate position, either in a corner of the field or standing before her throne.[93.1] And a strong current of early Greek legend induces us to believe that when the earliest Hellenes reached Crete they found a powerful goddess-cult overshadowing the island, associated with the figure of a young or infant god: hence spread the Cretan worship of Rhea and the Μήτηρ τῶν θεῶν, and hence there came to a few places on the Hellenic mainland, where Minoan influence was strong, the cult and the cult-legend of the infant Zeus.[93.2] Yet we must not strain the evidence too far; besides the youthful or infant Cretan god, there may have been the powerful cult of a father-god as well. On three monuments we catch a glimpse of the armed deity of the sky.[93.3] What is more important is the prominence of the double-headed axe in the service of the Minoan palace; and this must be a fetichistic emblem mystically associated with the thunder-god, though occasionally the goddess might borrow it. The prominence and great vogue of this religious emblem detracts somewhat from the weight of the evidence as pointing to the supremacy of the female divine partner. It is Zeus, not Rhea, that inspired Minos, as Jahwé inspired Moses, and Shamash Hammurabbi. Yet the view is probably right on the whole that the mother-goddess was a more frequent figure in {94} the Minoan service, and was nearer and dearer to the people.