Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
The _Iliad_ and _Odyssey_ show to what a high degree of civilisation and
culture the Hellenic race had attained not much later than 1000 B.C. In
the freeness of their spirit, combined with reverence for law, and in
their vivid portraiture of the different members of the Pantheon, seen
through the medium of a rich and sympathetic humanity, the poems present
a pleasing contrast to all other heathen pictures of things human and
divine. Their language is as admirable as the thought,--so rich and
flexible, entirely free from the crudities that might have been expected
in such primitive literature. Matthew Arnold sums up Homer’s
characteristics from a literary point of view, as rapidity, plainness
of thought, plainness of style, and nobleness. These qualities give the
poet as strong a hold on the sympathies of his readers as he assigns to
the minstrel in the _Odyssey_, when he makes Eumæus say of his old
master, now returned, but still in disguise: “Even as when a man gazes
on a minstrel whom the gods have taught to sing words of yearning joy to
mortals, and they have a ceaseless desire to hear him as long as he will
sing, even so he charmed me, sitting by me in the halls.”
The controversy which has been going on for more than a hundred years
regarding the authorship of the poems does not much affect their
interest for the general reader. Similar questions were raised more than
two thousand years ago. Even before Plato’s time there had been a
sifting process by which a number of hymns and minor poems formerly
attributed to Homer (as the whole book of Psalms used to be to David)
were found to be the work of unknown authors of a later date. A century
or two later there were Alexandrian critics who denied that the _Iliad_
and the _Odyssey_ could have come from the same author. But modern
critics have assailed the integrity of the two great poems themselves.
They have based their theories partly on the improbability of such long
poems being composed and transmitted before writing had come into
general use (an argument which has lost its force owing to recent
discoveries of early writing), and partly on the apparent repetitions,
interpolations, and discrepancies, which are supposed to have been
[Illustration: THE TEMPLE OF ATHENA AT SUNIUM (CAPE COLONNA)
Distant view over the hills.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account